The Indians named the great white wolf the Lightning Warrior because of the swiftness with which he can parry and attack. A bounty is offered for the head of the Lightning Warrior, but no one is able to capture him. That is, until the red-haired blue-eyed giant of a man known only as Cobalt comes to town.

The ancient Maya city of Quirigua occupied a crossroads between Copan in the southeastern Maya highlands and the major centers of the Peten heartland. Though always a relatively small city, Quirigua stands out because of its public monuments, which were some of the greatest achievements of Classic Maya civilization. Impressive not only for their colossal size, high sculptural quality, and eloquent hieroglyphic texts, the sculptures of Quirigua are also one of the few complete, in situ series of Maya monuments anywhere, which makes them a crucial source of information about ancient Maya spirituality and political practice within a specific historical context. Using epigraphic, iconographic, and stylistic analyses, this study explores the integrated political-religious meanings of Quirigua's monumental sculptures during the eighth-century A.D. reign of the city's most famous ruler, K'ak' Tiliw. In particular, Matthew Looper focuses on the role of stelae and other sculpture in representing the persona of the ruler not only as a political authority but also as a manifestation of various supernatural entities with whom he was associated through ritual performance. By tracing this sculptural program from its Early Classic beginnings through the reigns of K'ak' Tiliw and his successors, and also by linking it to practices at Copan, Looper offers important new insights into the politico-religious history of Quirigua and its ties to other Classic Maya centers, the role of kingship in Maya society, and the development of Maya art.

The Indians called the great white wolf the Lightning Warrior because of the swiftness with which he can parry and attack. A bounty for the head of the Lightning Warrior, but no one is able to capture him. That is, until the red-haired, blue-eyed giant of a man known only as Cobalt comes to town. Struck by the charm of Sylvia Baird, Cobalt announces his intention to marry her. Sylvia's father disapproves, as does her friend, Tom Chalmers. Sylvia is only amused and, on a lark, proposes as an engagement gift that Cobalt must capture the Lightning Warrior himself. He cannot use trap, knife, or bullet. The pelt must be clear of any blemish when he brings it to her.

The Lightning Warrior is about a girl who tries to find herself in finding her family. She isn't a werewolf but something similar. In this enthraling tale in the first part of a neew series find out what Alys Wolfbane will aquire in a new life unlike one she has ever lived before.

The anthology '60+ Western Novels by Max Brand (Including The Dan Barry Series, The Ronicky Doone Trilogy & The Silvertip Collection)' is a monumental collection that captures the essence and breadth of the American West through the pen of Max Brand, the nom de plume of Frederick Schiller Faust. This collection embodies the diverse landscapes of the Western genre, ranging from the untamed wilderness to the conflict between man and nature, and the quest for justice in a lawless land. The anthology showcases a variety of literary styles from gripping narratives, rich character studies, to intricate plots that intertwine fate and redemption, establishing the profound significance of Brand's work within the Western literary canon. Notably, the inclusion of entire series allows readers to deeply engage with recurring characters and their evolving stories, demonstrating Brand's skill in character development and narrative continuity. The contributing author, Frederick Schiller Faust, under his more famous alias Max Brand, was a prolific figure in early 20th-century literature, whose work significantly shaped the Western genre. His narratives were not merely tales of adventure but were imbued with a keen psychological depth and an exploration of human nature, making them resonate with readers and scholars alike. Faust's prolific output and his ability to capture the spirit of the American frontier have rendered his works an integral part of the literary movement that revered the West as a canvas for storytelling. This collection, therefore, not only celebrates the legacy of a remarkable author but also serves as a critical resource for understanding the evolution of Western literature. '60+ Western Novels by Max Brand' is an indispensable anthology for anyone interested in the development of the Western genre, American literature, or the narratives that have shaped perceptions of the American West. It offers readers a unique opportunity to explore a significant body of work by a single author, presenting a comprehensive view of Max Brands contribution to literature. This anthology is a testament to the enduring appeal of Western stories and their capacity to explore complex themes of morality, justice, and identity. Scholars, students, and enthusiasts of Western literature are encouraged to delve into this collection to appreciate the depth and diversity of Max Brands narratives, and to foster a deeper understanding of the genre's place within the broader landscape of American literature.