The first in-depth biography of Sam Francis, the legendary American abstract painter who broke all the rules in his personal and artistic life. Light on Fire is the first comprehensive biography of Sam Francis, one of the most important American abstract artists of the twentieth century. Based on Gabrielle Selz’s unprecedented access to Francis’s files, as well as private correspondence and hundreds of interviews, this book traces the extraordinary and ultimately tragic journey of a complex and charismatic artist who first learned to paint as a former air-corps pilot encased for three years in a full-body cast. While still a young man, Francis saw his color-saturated paintings fetch the highest prices of any living artist. His restless desire resulted in five marriages and homes on three continents; his entrepreneurial spirit led to founding a museum, a publishing company, a reforestation program and several nonprofits. Light on Fire captures the art, life, personality, and talent of a man whom the art historian and museum director William C. Agee described as a rare artist participating in the “visionary reconstruction of art history,” defying creative boundaries among the likes of Jackson Pollock, Mark Rothko, and Willem de Kooning. With settings from World War II San Francisco to postwar Paris, New York, Tokyo, and Los Angeles, Selz crafts an intimate portrait of a man who sought to resolve in art the contradictions he couldn’t resolve in life.

It takes any number of forms. Epigrams. Aphorisms. Fragments. Sayings. Dicta. Sententiae. Facetiae. Pearls of wisdom. Fractions of truth. Maxims. Definitions. Jottings. Miscellaneous musings. Meditations. Ricordi. Pensées. Ephemera. Miniatures. Sketches. Vignettes. Denkbilder. Capriccios. Tiny 'fires without flames' ... In returning to these genres, Matches goes back to the drawing board of modern critique. It sets out to rekindle short-form literary-philosophical reflection, with roots in the Antiquity of Heraclitus and Hippocrates, apogee in the French moralistes (La Rochefoucauld, Pascal, Chamfort ...), and late splendour in German letters (Nietzsche, Kraus, Jünger ...). Moving from art and aesthetics to philosophies past and present, through natural and technological landscapes, beneath the constellations of politics, history and ethics, along the byways of contemporary literary culture--the slow reader with a little spare time will not fail to be struck. Here are pages to peruse and mistrust, texts to think with, a book to put down and ponder, to ponder and put down. A tome to keep handy, handle often, and strike repeatedly against the rough patches of the mind.

The act of prayer has been recognized—by sages and skeptics alike—as a powerful way to enact positive physical, spiritual, and emotional change. Prayer has the power to take us beyond the rational mind, opening our hearts and engaging our souls. It brings us peace and health. Its aim is to uplift our spirits and bring us closer to the divine. In Light the Flame, teacher and poet Andrew Harvey has gathered the 365 prayers that have most influenced his life, offering us a daily reminder of the sacred. Drawing insights from around the world, across religions, and an array of disciplines, Harvey provides inspiration from great spiritual minds like Rumi and Thomas Merton, activists like César Chávez and Mother Teresa, and philosophers like Nietzsche and Voltaire—plus he includes some of his own works. With themes that range from love and loss to unity and transformation, this luminous book will capture your imagination and nourish your soul.

Renee Rousseau, a young college girl, uncovers shocking secrets of her past in old Cliff High, a seacliff house where her ancestors have lived for 200 years. Secrets that would change her life and send her ordered world down a different path. Sometimes the strong emotions of the past continue to live in the atmosphere where they are comfortable and the phantom listeners who watch silently will be heard from. People are not who they seem to be and even those that are closest sometimes harbor dark secrets. She meets a young doctor and, together, they root out the secrets of Cliff High. Renee is shocked at some of the sins, murders and intrigues that come to light after all the passing years. As the shocking indiscretions emerge, she learns much about many people-including herself.

This volume critically re-evaluates the received interpretation of the nature of light in the ancient sources. Isidoros C. Katsos contests the prevalent view in the history of optics according to which pre-modernity theorized light as subordinate to sight ('oculocentrism') by examining in depth the contrary textual evidence found in early Christian texts. It shows that, from Philo of Alexandria and Origen to Basil of Caesarea and Gregory of Nyssa, the Jewish-Christian commentary tradition on the hexaemeral literature (the biblical creation narrative) reflected deeply on the nature and physicality of light for the purposes of understanding the structure and purpose of material creation. Contemplation of nature allowed early Christian thinkers to conceptualize light as the explanatory principle of vision rather than subordinated to it. Contrary to the prevalent view, the hexaemeral literature necessitates a 'luminocentric' interpretation of the theory of light of Plato's Timaeus in its reception history in the context of late antique cosmology. Hexaemeral luminocentrism invites the reader of Scripture to grasp not only the sensible properties of light, but also their causal principle as the first manifestation of the divine Logos in creation. The hexaemeral metaphysics thus provides the missing ground of meaning of the early Christian language of light.