A collection of six Italian tales in which her American characters encounter and respond to the mysteries of Italian mores.

Elizabeth Spencer is captivated by Italy. Collected in this volume are The Light in the Piazza, which is her signature piece, and six other Italian tales in which her American characters encounter and respond to the mysteries of Italian mores.

The twelve-time All-Star catcher describes the inspiration he gleaned from his self-made father, his early career with the Dodgers, his memorable 2000 World Series with the Mets, and the controversies that have marked his career.

It all starts with the release of fidgety, suspicious Percy Talbott from state prison after serving a five-year sentence. We don't know why, only that she's released and on her way to Gilead and its "colors of paradise." But when she arrives it is February and bitter cold, and the only one around to meet her is restless Sheriff Joe Turner, who takes her to the Spitfire Grill to help the aging Hannah Ferguson run the diner. All is gray, dismal and listless around them, and the characters are in the "winter of their lives" emotionally and spiritually.

The immigrant tenants of a building in Rome offer skewed accounts of a murder in this prize-winning satire by the Algerian-born Italian author (Publishers Weekly). Piazza Vittorio is home to a polyglot community of immigrants who have come to Rome from all over the world. But when a tenant is murdered in the building’s elevator, the delicate balance is thrown into disarray. As each of the victim’s neighbors is questioned by the police, readers are offered an all-access pass into the most colorful neighborhood in contemporary Rome. With language as colorful as the neighborhood it describes, each character takes his or her turn “giving evidence.” Their various stories reveal much about the drama of racial identity and the anxieties of a life spent on society’s margins, but also bring to life the hilarious imbroglios of this melting pot Italian culture. “Their frequently wild testimony teases out intriguing psychological and social insight alongside a playful whodunit plot.” —Publishers Weekly

Lakeman (architecture, California Polytechnic State U.) discusses design elements and the element of light in the medieval architecture of Italy and examines the relationship between space and light and the way we experience them, focusing on Siena's Piazza del Campo. Includes some 90 color photos a

"With fairest flowers, Whilst summer lasts, and I live here, Fidele-" When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza-a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sun-burnt painters painting there. A very paradise of painters. The circle of the stars cut by the circle of the mountains. At least, so looks it from the house; though, once upon the mountains, no circle of them can you see. Had the site been chosen five rods off, this charmed ring would not have been. The house is old. Seventy years since, from the heart of the Hearth Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each Thanksgiving, the social pilgrims used to come. So long ago, that, in digging for the foundation, the workmen used both spade and axe, fighting the Troglodytes of those subterranean parts-sturdy roots of a sturdy wood, encamped upon what is now a long land-slide of sleeping meadow, sloping away off from my poppy-bed. Of that knit wood, but one survivor stands-an elm, lonely through steadfastness.