Through his personality, ingenuity and ability, he initiated a resistance movement which ultimately secured the nation's freedom and independence. Yet, Wallace was reviled, opposed and eventually betrayed by the nobility in his own day to re-surface in the epic poetry of the fifteenth century as a champion and liberator. Eventually, his legend overtook the historical reality, a process which has continued for centuries as manifested in modern media and film. A team of leading historians and critics from both Scotland and England investigate what is known of the medieval warrior's career from contemporary sources, most of which, unusually for a national hero, were created by his enemies. His reputation, from the time of his horrendous execution to the present, is examined to ascertain what the figure of Wallace meant to different generations of Scots. Too dangerous perhaps for his own era, he became the supreme Scottish hero of all time; the archetypal Scot who would teach kings and nobles where their duty lay, and who would live free or freely die for the liberty of his nation.

Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland from the United Kingdom in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations' parliaments united in 1707. Paying particular attention to Robert Burns and continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. Publication coincides with the 700-year anniversary of the Battle of Bannockburn.

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity—serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.