There are several reasons why it has seemed worth while to write the life of Sophia Jex-Blake at some length. 1. She was one of the people who really do live. In the present day a woman is fitted into her profession almost as a man is. Sixty years ago a highly dowered girl was faced by a great venture, a great quest. The life before her was an uncharted sea. She had to find her self, to find her way, to find her work. In many respects youth was incomparably the most interesting period of a life history. 2. S. J.-B. has left behind her (as probably no woman of equal power has done) the record of this quest. She was a born chronicler: almost in her babyhood she struggled laboriously to get on to paper her doings and dreams; and she was truthful to a fault. We have here the kind of thing that is constantly "idealised" in present day fiction,—have it in actual contemporary record,—with the added interest that here the story begins in an old-world conservative medium, and passes through the life of the modern educated working girl into the history of a great movement, of which the chronicler was indeed magna pars. The reader will see how more and more as the years went on S. J.-B.'s motto became "Not me, but us," till one is tempted to say that she was the movement, that she stood, as it were, for women. 3. That, so to speak, was her "job"; but she never grew one-sided; never forgot the man's point of view. viiiNo woman ever took a saner and wider view of human affairs. 4. In spite of the heavy strain thrown by conflicting outlook and ideals on the relation between parents and child, the reader will see in the following pages how that relationship was preserved. This is perhaps the most remarkable thing in the whole history, and it is full of significance and helpful suggestion for us all in these critical days. 5. And lastly, it proved impossible to write the life in any other way. When S. J.-B.

Meet the pioneering women who changed the medical landscape for us all For fans of Hidden Figures and Radium Girls comes the remarkable story of three Victorian women who broke down barriers in the medical field to become the first women doctors, revolutionising the way women receive health care. In the early 1800s, women were dying in large numbers from treatable diseases because they avoided receiving medical care. Examinations performed by male doctors were often demeaning and even painful. In addition, women faced stigma from illness--a diagnosis could greatly limit their ability to find husbands, jobs or be received in polite society. Motivated by personal loss and frustration over inadequate medical care, Elizabeth Blackwell, Elizabeth Garrett Anderson and Sophia Jex-Blake fought for a woman's place in the male-dominated medical field. For the first time ever, Women in White Coats tells the complete history of these three pioneering women who, despite countless obstacles, earned medical degrees and paved the way for other women to do the same. Though very different in personality and circumstance, together these women built women-run hospitals and teaching colleges - creating for the first time medical care for women by women. With gripping storytelling based on extensive research and access to archival documents, Women in White Coats tells the courageous history these women made by becoming doctors, detailing the boundaries they broke of gender and science to reshape how we receive medical care today.

Jex-Blake, Sophia.

This book was first published in 1860 when access to training in medicine as a profession was not widely accessible to women. In this book, Blackwell argues that it is time to remedy this situation as there are already women working in the profession and their services as true professionals are greatly needed.

This book tells the remarkable stories of ten women whose inspirational lives and struggles exemplify the concerns and problems that other women have faced throughout the last two centuries. Each is the subject of a chapter devoted to her particular story and the times in which she lived. The nineteenth and twentieth centuries witnessed great changes in women's position in Scotland, and yet little is known about the achievements of the Scottish women who were the main agents of these changes. In presenting the life stories of ten women, William Knox provides evidence of the huge contribution made by women to the shaping of modern Scotland. At the same time he shows how the life histories of individuals can reveal previously dark corners of historical understanding and allow a more nuanced picture of Scottish society as a whole. Subjects include Jane Welsh Carlyle, brilliantly gifted, but married to the wayward and demanding Thomas, Sophia Jex-Blake, Scotland's first female doctor, and Mary Slessor,

Jex-Blake, Sophia.

“Three Guineas” is a 1938 extended essay by Virginia Woolf that deals with the subjects of fascism, feminism, and war. The book was written in response to three requests for donations by three different feminist organisations and contains a statement on feminine purpose. Not to be missed by fans and collectors of Feminist literature. Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Contents include: “Virginia Woolf”, “One”, “Notes and References”, “Two”, “Notes and References”, “Three”, “Notes and References”. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Great Essays is proudly republishing this classic essay now complete with a specially-commissioned new biography of the author.