Winner of the 2022 Baillie Gifford Prize for Non-Fiction Winner of the 2022 Slightly Foxed Best First Biography Prize Shortlisted for the 2023 Plutarch Award A Wall Street Journal Top 10 Best Book of 2022 A New York Times Notable Book of the Year Named a Best Book of the Year by The New Yorker, Times Literary Supplement, and Literary Hub From the standout scholar Katherine Rundell, Super-Infinite presents a sparkling and very modern biography of John Donne: the poet of love, sex, and death. Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, a priest, a member of Parliament—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year-old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain. He was a man who suffered from surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love. In Super-Infinite, Katherine Rundell embarks on a fleet-footed act of evangelism, showing us the many sides of Donne’s extraordinary life, his obsessions, his blazing words, and his tempestuous Elizabethan times—unveiling Donne as the most remarkable mind and as a lesson in living.

John Donne: In the Shadow of Religion explores the life of one of the most significant figures of the English Renaissance. The book not only provides an overview of Donne’s life and work, but connects his writing and thinking to the ideas, institutions, and networks that influenced him. The book shows how Donne’s faith underpinned his career, from aspirational courtier to phenomenally successful clergyman and preacher, when he became dean of St. Paul’s Cathedral. Donne emerges as a figure obsessed with himself, tormented by the fear that his transgressions may have condemned him to eternal damnation. This fine new account uses Donne’s correspondence, writing, and poetry to give a rounded portrait of a bold, experimental thinker, who was never afraid of taking risks that few others would have countenanced.

Donne is best known as a poet of love, never describing physical beauty in detail but brilliantly able to recreate a man's experience of love's emotions and realities, but he is much else besides. He is a poet of the spiritual journey who in his power speaks to others in travail, a great preacher who soars into word-music and encapsulates complex theology in illuminating epigrams.David Edwards ranges across all Donne's writings, including the critically neglected sermons, to produce a new and compelling portrait of this tortured and contradictory figure. As the tree's sap doth seek the root belowIn winter, in my winter now I go,Where none but thee, th'Eternal rootOf true Love, I may know.--JOHN DONNE>

In 1906, having been assigned Izaak Walton's Life of Donne to read for his English class, a Harvard freshman heard a lecture on the long disparaged 'metaphysical' poets. Years later, when an appreciation of these poets was considered a consummate mark of a modernist sensibility, T. S. Eliot was routinely credited with having 'discovered' Donne himself. John Donne in the Nineteenth Century tracks the myriad ways in which 'Donne' was lodged in literary culture in the Romantic and Victorian periods. The early chapters document a first revival of interest when Walton's Life was said to be 'in the hands of every reader'; they explore what Wordsworth and Coleridge contributed to the conditions for the 1839 publication of the only edition ever called The Works, which reprinted the sermons of 'Dr Donne'. Later chapters trace a second revival, when admirers of the biography, turning to the prose letters and the poems to supplement Walton, discovered that his hero's writings entail the sorts of controversial issues that are raised by Browning, by the 'fleshly school' of poets, and by self-consciously 'decadent' writers of the fin de siècle. The final chapters treat the spread of the academic study of Donne from Harvard, where already in the 1880s he was the anchor of the seventeenth-century course, to other institutions and beyond the academy, showing that Donne's status as a writer eclipsed his importance as the subject of Walton's narrative, which Leslie Stephen facetiously called 'the masterpiece of English biography'.