This biography chronicles the life and work of George Cruikshank, the renowned British caricaturist and book illustrator of the early 19th century. Jerrold provides an intimate portrait of Cruikshank's personal life, his struggles with alcoholism, and his artistic development and influence, as well as his interactions with other artists and writers of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Life of George Cruikshank: In Two Epochs These pages should be accepted as me'moires pour servir as material towards a just judgment of the artist and the man. I am indebted to George Cruikshank's friends for many personal anecdotes, and to my own recollections of him, ranging from my boyhood to his death, for the general outline of the dear old George, whose humour and eccen tricity delighted Dickens, Douglas Jerrold, Thackeray, and their friends for many years. I am indebted to the late Charles Landseer, to Mr. Frederick Locker, the late Mr. W. H. Tills (co-editor with Dickens of flousebold l/vords and All tbc Year Round), Mr. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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