INSTANT NATIONAL BESTSELLER The Life of a Wannabe Mogul: Mental Disarray, Bella Thorne's collection of illuminating and inspiring poems chronicles her personal struggles, relationships, and wild-child lifestyle, all with her trademark wit and wisdom.

The first collection of original poetry by the renowned nature writer and highly lauded translator of the Chinese classics. Traveling today I found a river somewhere inside me, wondered how far it wanders there and how much sky it mirrors. All day long, wind and desert light, I followed that river’s distances . . . Weaving mind and landscape together in meditations on sky and wind, ridgeline and horizon, existence and self, Desert marks David Hinton’s first collection of original poetry in over a decade. Hinton’s poetic art has long shined brilliantly through his widely acclaimed Chinese translations—and here speaks for itself in his contemporary voice as he turns his attention to the transcendent landscape of the American West. Updating the philosophical insights of ancient China that Hinton has explored so deeply, these poems bring the wonder and ancient mystery of the desert landscape to light. Hinton demonstrated in The Wilds of Poetry how those ancient Chinese insights shaped the innovative American poetry of our time, and here he extends that tradition in poems that are spare and spacious, as vast and open as the desert itself.

Show biz memoir at its name-dropping, bridge-burning, profane best: the music industry’s most outspoken, outrageous, and phenomenally successful executive delivers a rollicking memoir of pop music’s heyday. During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Bob Dylan, Billy Joel, Paul Simon, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of “Sexual Healing”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots. Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.

The New York Times bestselling history of the glamour and debauchery of the ultra-wealthy Palm Beach community--from The Breakers to Trump's Mar-a-Lago. For more than a hundred years, Palm Beach has been an exclusive and exotic universe of wealth and privilege in America. And until Bernie Madoff's Ponzi scheme devastated its eternally sunny world, the reality of this affluent enclave has rarely been exposed to outsiders. Now, in Madness Under the Royal Palms, resident insider Laurence Leamer reveals the secrets and scandals of this South Florida island via a cast of characters that includes social climbers, trophy wives, sugar daddies, glamorous widows and their "escorts," sociopathic multimillionaires, and elegant society queens. Dive into the unbelievable true story of love, lust, money, and murder in a uniquely American paradise.

Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.

Autumn’s Kiss—book two in the AUTUMN FALLS series by Bella Thorne—is perfect for fans of Descendants and Lisa Greenwald and Jessica Brody's books--and anyone looking for a sweet, silly, and fun read with just a touch of magic! Everyone knows how crazy junior year is, but Autumn Falls never imagined it would be so flirty. The wish-granting diary her father left her stopped working, leaving Autumn to decode what’s going on with her and Sean on her own. He seems into her . . . and he also seems into Reenzie. And when JJ steps up and tells Autumn he’s the one she should be with if she wants someone who really cares about her and a pop star makes a major play for her, Autumn is totally confused. Her friends have Big Drama issues going on too, and Autumn wants to be there for them. Then something mind-blowing happens. She’s suddenly given an incredible crazy-fun opportunity: a map that takes her anyplace she wants to go. At first it seems like an amazing gift. But showing up IRL where you’re least expected has life-changing consequences. Is Autumn ready to handle the fallout? Praise for Autumn Falls: “We promise you’re going to love it.” —Teen Vogue.com “You’ll be obsessed with Autumn Falls. It has basically everything you could ever want.” —Seventeen.com

On a damp October night, the body of young, beautiful Ashley Cordova is found in an abandoned warehouse in lower Manhattan. By all appearances her death is a suicide--but investigative journalist Scott McGrath suspects otherwise. Though much has been written about the dark and unsettling films of Ashley's father, Stanislas Cordova, very little is known about the man himself. As McGrath pieces together the mystery of Ashley's death, he is drawn deeper and deeper into the dark underbelly of New York City and the twisted world of Stanislas Cordova, and he begins to wonder--is he the next victim? In this novel, the dazzlingly inventive writer Marisha Pessl offers a breathtaking mystery that will hold you in suspense until the last page is turned.