In any other context, saying that someone was "for the birds" would hardly be polite. But applied to Connie Hagar, it would be high praise. The diminutive birdwatcher nicknamed Connie was reared as Martha Conger Neblett in early twentieth-century Texas, where she led a genteel life of tea parties and music lessons. But at middle age she became fascinated with birds and resolved to learn everything she could about them. In 1935, she and her husband, Jack, moved to Rockport, on the Coastal Bend of Texas, to be at the center of one of the most abundant areas of bird life in the country. Her diligence in observation soon had her setting elite East Coast ornithologists on their ears, as she sighted more and more species the experts claimed she could not possibly have seen. (Repeatedly she proved them wrong.) She ultimately earned the respect and love of birders from the shores of New Jersey to the islands of the Pacific. Life Magazine pictured her in a tribute to the country's premier amateur naturalists, and she received many awards from nature and birding societies. Connie Hagar's life history is more than just a bird book. Hers is a story of dedication to nature and the role she could play in promoting it to others, despite recurring threats of blindness and other health problems. The hundreds of species of birds that visited Rockport each year brought thousands of other birders, and Connie patiently hosted and assisted both the greenest beginners and the most magisterial experts. It was she, more than any other person, who made coastal Texas--and especially Rockport--a mecca for all serious birders. Karen Harden McCracken and Connie Hagar's Boswellian-Johnsonian relationship in the 1960s, Connie's own "Nature Calendars" containing thirty-five years of observations, and interviews with those who knew the "birdwoman of Rockport" provide the basis for this simple but exhilarating narrative.

Presents color reproductions of forty-eight Texas birds selected as the personal favorites of illustrator John O'Neill and editor Suzanne Winckler, each accompanied by a personal, scientific, or literary observation by a well-known Texas birder or nature writer.

The eastern screech owl, widespread over the eastern half of North America and noticeably tolerant of human activity, is one of America's most familiar birds. Residing naturally in wooded environs with tree cavities, this owl lives well in suburbia and can be found nesting in mailboxes, porch columns, and purple martin houses. Based on a twenty-five-year study, biologist Frederick R. Gehlbach tells the life story of the eastern screech owl, focusing on case studies of suburban and rural study plots in Central Texas. This is the first thorough study of major life-history, behavioral, and ecological features of the species. Indeed, it is the first concurrent, comparative study of an urban and a rural population of any New World animal. Told in a personal voice, the story of these birds will interest all who have not lost touch with their ancestral world. However, Gehlbach has also included quantitative data and analysis of interest to ecologists, wildlife biologists, and ornithologists. Photographs (including color shots of the gray and rufous phases), figures, and tables provide further detail. Gehlbach's investigations have been those of not only an academic ecologist, but a suburbanite curious about his natural surroundings. The result is a model of research on species population dynamics and adaptation, yielding an emerging picture of what the eastern screech owl needs for successful coexistence with human neighbors.

When Coastal Living Magazine listed Rockport, Texas, among its “Top 10 Coastal Artists’ Colonies” with more well-known art communities such as Carmel-by-the-Sea, California, and Monhegan Island, Maine, many art lovers may have been surprised. But Rockport’s inclusion represented an emerging Texas Gulf Coast aesthetic and regional school of landscape art that many art historians and collectors had discovered. The area’s unique ecosystem, abundance of wildlife and quaint architecture of bait stands and fish houses became a haven for creativity and individuality, beginning in the late forties. Over the years, it became home to influential artists, including the colony founder, Simon Michael, his most famous student, Dalhart Windberg, Jack Cowan, Al Barnes, Herb Booth, and Jesus Moroles. Other prominent artists also came for inspiration, including Buck Schiwetz, Harold Phenix, and Kent Ullberg. Many of the artists were active in early environmental organizations like the Coastal Conservation Association and Ducks Unlimited, working to protect the special habitats. And Steve Russell, a Rockport native, became the legendary mentor and quintessential artist of the colony, inspiring generations of newcomers. In The Story of the Rockport-Fulton Art Colony: How a Coastal Texas Town Became an Art Enclave, Kay Kronke Betz and Vickie Moon Merchant chronicle how this small Texas town, whose economy was based on fishing, shrimping, and tourism, became a major regional center for the visual arts. Generously illustrated throughout with full-color images of boats, bays, and other hallmarks of this artistically rich community, this book is a visual and narrative treat for art lovers, conservationists, and historians alike.

In 1955, Frank X. Tolbert, a well-known columnist for the Dallas Morning News, circumnavigated Texas with his nine-year-old-son in a Willis Jeep. The column he phoned in to the newspaper about his adventures, "Tolbert's Texas," was a staple of Walt Davis's childhood. Fifty years later, Walt and his wife, Isabel, have re-explored portions of Tolbert’s trek along the boundaries of Texas. The border of Texas is longer than the Amazon River, running through ten distinct ecological zones as it outlines one of the most familiar shapes in geography. According to the Davises, "Driving its every twist and turn would be like driving from Miami to Los Angeles by way of New York." Each of this book’s sixteen chapters opens with an original drawing by Walt, representing a segment of the Texas border where the authors selected a special place—a national park, a stretch of river, a mountain range, or an archeological site. Using a firsthand account of that place written by a previous visitor (artist, explorer, naturalist, or archeologist), they then identified a contemporary voice (whether biologist, rancher, river-runner, or paleontologist) to serve as a modern-day guide for their journey of rediscovery. This dual perspective allows the authors to attach personal stories to the places they visited, to connect the past with the present, and to compare Texas then with Texas now. Whether retracing botanist Charles Wright's 600-mile walk to El Paso in 1849 or paddling Houston's Buffalo Bayou, where John James Audubon saw ivory-billed woodpeckers in 1837, the Davises seek to remind readers that passionate and determined people wrote the state's natural history. Anyone interested in Texas or its rich natural heritage will find deep enjoyment in Exploring the Edges of Texas. Publication of this book is generously supported by a memorial gift in honor of Mary Frances "Chan" Driscoll, a founding member of the Advisory Council of Texas A&M University Press, by her sons Henry B. Paup '70 and T. Edgar Paup '74.

In this invitingly-written book, June Osborne paints a fully detailed portrait of perhaps the best-known hummingbird in the United States, the ruby-throat. There is no mistaking a hummingbird. Even people who hardly know a robin from a sparrow recognize that flash of iridescent feathers and the distinctive hovering flight. So popular have “hummers” become that even casual birdwatchers now travel great distances to hummingbird hot spots to see masses of birds in their annual migrations. Drawing from her own birdwatching experiences, June Osborne offers an “up close and personal” look at a female ruby-throat building her nest and rearing young, as well as an account of a day in the life of a male ruby-throat and stories of the hummers’ migrations between their summer breeding grounds in the United States and Canada and their winter homes in Mexico and Central America. In addition to this life history, Osborne recounts early hummingbird sightings and tells how the bird received its common and scientific names. After an overview of hummingbirds’ distinctive ways of feeding, flying, and conserving energy, she offers a detailed description of the ruby-throat that will help you tell females from males, immature birds from adults, and ruby-throats from similar species. Osborne also takes you on a visit to the “Hummer/Bird Celebration!” at Rockport, reviews hummingbird banding programs, and explains how to attract hummingbirds to your yard or apartment balcony.