Biography of Nargis Dutt, 1929-1981, Indian motion picture actress.

Nargis Dutt, 1929-1981, Hindi film actress.

During the making of Mother India, Nargis is trapped in a circle of flames and Sunil risks his life to save her. They recuperate together, and fall in love. Nargis has been in a long but futile relationship with the mercurial Raj Kapoor, and in Sunil she finally finds an anchor. Their relationship is stormy and secretive to start with, but it survives every crisis to culminate in a quite wedding on 11 March 1958. What follows are years of togetherness, including the joys of caring three children, Sanjay, Namrata and Priya but also days of pain and heartbreak: financuial trouble, Nargis's illness, Sanjay's addiction to drugs. Based on the diaries and letters of Nargis, Sunil and their daughter Priya, as well as on conversations and interviews with family and friends, Darlingji - as they often addressed each other - is a probing yet affectionate biography of two extraordinary people and their love for each other. Travelling as it does from the nineteenth century to the present, the book tells the larger story of the evolution of Hindi cinema, and of a society and a nation in the throes of change.

In the late nineteenth century, in a small village in northern India, a thirteen-year-old Brahmin widow meets a Muslim sarangi player and elopes with him. Many years later, their daughter Jaddanbai moves to Bombay and becomes a star of the early talkies. Chateau Marine, her home on Marine Drive, is famous for its evening mehfils and for the dreams it nurtures: regular visitors include Dilip Kumar, Mehboob and Kamal Amrohi. It is also the home of Fatima, Jaddanbai's daughter, who will set the screen ablaze as Nargis, the most accomplished actress of her time.Far removed from this world of glamour, a young boy named Balraj Dutt spends his teenage years attempting to rehabilitate himself and his family after the trauma of Partition. In 1950, at the age of twenty, he arrives in Bombay. And there his life takes an unexpected turn: he is given the lead role in a new film, and is soon on his way to becoming Sunil Dutt, the film star.Then comes the moment that transforms both their lives: on 1 March 1957, during the making of Mother India, Nargis is trapped in a circle of flames and Sunil risks his life to save her. They recuperate together, and fall in love. Nargis has been in a long but futile relationship with the mercurial Raj Kapoor, and in Sunil she finally finds an anchor. Their relationship is stormy and secretive to start with, but it survives every crisis to culminate in a quite wedding on 11 March 1958. What follows are years of togetherness, including the joys of caring three children, Sanjay, Namrata and Priya but also days of pain and heartbreak: financuial trouble, Nargis's illness, Sanjay's addiction to drugs.Based on the diaries and letters of Nargis, Sunil and their daughter Priya, as well as on conversations and interviews with family and friends, Darlingji - as they often addressed each other - is a probing yet affectionate biography of two extraordinary people and their love for each other. Travelling as it does from the nineteenth century to the present, the book tells the larger story of the evolution of Hindi cinema, and of a society and a nation in the throes of change.

Biographies of Sunil Dutt,1930-2005 and Nargis Dutt, 1929-1981, Hindi motion picture actors.

‘We are like the Corleones in The Godfather’—Randhir Kapoor There is no film family quite like the Kapoors. A family of professional actors and directors, they span almost eighty years of film-making in India, from the 1920s to the present. Each decade in the history of Hindi films has had at least one Kapoor—if not more—playing a large part in defining it. Never before have four generations of this family—or five, if you include Bashesharnath Kapoor, Prithviraj Kapoor’s father, who played the judge in Awara—been brought together in one book. The Kapoors details the professional careers and personal lives of each generation—box-office successes and failures, the ideologies that informed their work, the larger-than-life Kapoor weddings and Holi celebrations, their extraordinary romantic liaisons and family relationships, their love for food and their dark passages with alcohol. Based on extensive personal interviews conducted over seven years with family members and friends, Madhu Jain goes behind the façade of each member of the Kapoor clan to reveal what makes them tick. The Kapoors resembles the films that the great showman Raj Kapoor made: grand and sweeping, with moments of high drama and touching emotion. ‘Few books on Indian cinema have been written with such wit, clarity and sparkle’—Outlook ‘Jain writes in a language that is simple and pithy. . . it will keep alive public interest in the Kapoors who refuse to call it a day’—Telegraph ‘Immensely readable...will surely find a place in the Indian cineaste’s library’—Biblio

When shots ring out on the Grand Trunk Road in the fictional Pakistani city of Zamara, Nargis’s life begins to crumble around her. Soon her husband—and fellow architect—is dead and, under threat from a powerful military intelligence officer, she fears that a long-hidden truth about her past will be exposed. For weeks someone has been broadcasting people’s secrets from the minaret of the local mosque, and, in a country where even the accusation of blasphemy is a currency to be bartered, the mysterious broadcasts have struck fear in Christians and Muslims alike. A revelatory portrait of the human spirit, in The Golden Legend, Nadeem Aslam gives us a novel of Pakistan’s past and present—a story of corruption and resilience, of love and terror, and of the disguises that are sometimes necessary for survival.