The articles are responses at a point in time, but why the book is important is because they are relevant even now. They are about the arduous task of building democracy and charting the contours of the justice system, in its everyday guise as well as when it sets out to make and implement policies. Authoritarianism, Balagopal points out, lies immanent in the dominance of the ‘national’ project by the hegemonic classes and castes. The elites have deliberately sought to work this as well as regional contradictions to their advantage. They do this by building a repository of social contempt and negativity against shifting targets - religious minorities, workers, civil rights activists, political dissenters, dalits and adivasis movements, and protesting women. Balagopal writes about how in India, the alchemy between caste, class and the State creates a uniquely Indian alloy of fascism. Reading them gives the impression that he was standing on top of a tall tower with a powerful pair of binoculars which enabled him to see what nobody else could. In truth there was no tower, and no binoculars, just an extremely fine, courageous, and honest mind, looking around at what others turn away from. Arundhati Roy

"Introduction to RRR" is a documentary film that explores the making and production of the upcoming Indian period action film, RRR. The film is directed by S.S. Rajamouli and is set in the pre-independence era of India. The documentary takes a behind-the-scenes look at the making of the film and features interviews with the cast and crew. The documentary provides an insight into the film's storyline, which revolves around the lives of two freedom fighters, Alluri Sitarama Raju and Komaram Bheem. The film is also set to feature a few fictional elements to enhance the narrative. The documentary also highlights the work that went into creating the film's extensive sets and the challenges faced while shooting amid the COVID-19 pandemic. Fans of Indian cinema and the RRR franchise will find the documentary to be an excellent watch as it explores the details behind the making of this highly anticipated film.

A travelogue from the pen of a historian, The Buddha In My Backyard, is a spell-binding account of the monasteries and artefacts ranging from the time of the Buddha in her backyard of Visakhapatnam district. She dwells on the destruction that time, an apathetic state and a society ridden with ignorance of history, have wreaked on these rich remains that speak of a society and culture long past.

Book is on historical facts. It starts from First war of India's Independence 1857 to the last war of India's Independence 1946.

In today’s fast-moving world and tough competitive day-to-day life, the youth hardly find time for remembrance of our rich heritage and past. This becomes more important when the nation celebrates seventy fifth year of independence. The fight against colonial rule in India constitutes a unique narrative, one which is not marred by violence. Rather a narrative that is full of variegated stories of valour, bravery, satyagraha, dedication, and supreme sacrifice for the freedom of the motherland. This book on unsung warriors is an attempt to recall and remember forgotten heroes of our freedom struggle, many of whom might be renowned yet unknown to the new generation. The aim of recreating and bringing forth stories, which lay as faded memories of the past, shall serve as a medium of inspiration and encouragement for the coming generations.

In The Weapon of the Other: Dalitbahujan Writings and the Remaking of Indian Nationalist Thought, contends the projection of Hindu religious texts as sources of Indian nationalist thought since colonial times while the Buddhist scriptures, the Bible and the Quran, whose readers were far more numerous, are relegated to the periphery of discussions about nationalism. He explores Indian nationalism from a different perspective, and discusses the political core of liberatory ideas as well as modern thinker-activists.