French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare s play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn t show any interest in him. She ignored his letters. When he tried to meet her backstage, she ordered the guard to throw him out.Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet �musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizarre dance of ghosts, goblins, and other monsters.

The Life of Berlioz situates the celebrated French musician in the vibrant and highly politicized musical culture of the periods of the Bourbon Restoration, July Monarchy, Second Republic, and Second Empire in which he lived and worked as composer, conductor, concert manager, and writer. The author of the Symphonie fantastique was indeed possessed of a fertile and fantastical imagination; but the common image of Berlioz as a misunderstood and mistreated genius obscures both the solidity of his work as a musical architect and the reality of his position as one sometimes favored by those in power. Berlioz is the quintessential romantic composer by dint of the conspicuous intermingling of art and life that marks his musical and literary output. Studying this away from the subjective sentimentality that can still mar studies of the composer in France, serves only to enhance the uncommon radiance of his music and uncommon esprit of his art.

Hector Berlioz' (1803-69) autobiography is both an account of his important place in the rise of the Romantic movement and a personal testament. He tells the story of his liaison with Harriet Smithson, and his even more passionate affairs of the mind with Shakespeare, Scott, and Byron. Familiar with all the great figures of the age, Berlioz paints brilliant portraits of Liszt, Wagner, Balzac, Weber, and Rossini, among others. And through Berlioz's intimate and detailed self-revelation, there emerges a profoundly sympathetic and attractive man, driven, finally, by his overwhelming creative urges to a position of lonely eminence. For this new Everyman's edition of The Memoirs, the translator--the composer's most admired biographer--has completely revised the text and the extensive notes to take into account the latest research. (Book Jacket Status: Not Jacketed)