The Life and Times of Albert Capo reveals the social, economic, and cultural atmosphere that existed during the latter two-thirds of the twentieth century. The immigrant population that lived through the Great Depression of the 1930s faced many challenges, the least of which was learning a new language as they slowly integrated themselves into American society. Most boys Albert’s age did not encounter the peculiar situations or problems that confronted Albert. The streets of New York were Albert’s playground during his formative years, as it was for most boys living in ethnic conclaves throughout the city. Living through the Depression and prewar years gave Albert a unique perspective on the rapid change in American society. The American landscape looked quite different prior to the nineteenth century; there were no electric illumination of homes, no telephones, radios, TVs, automobiles, or central heating of homes. The importance of the twentieth century cannot be overestimated. The folks who lived through the twentieth century witnessed more technological advancements, inventions, and discoveries than the entire past history of mankind. Along with scientific discoveries was the fight for civil rights for women as well as minorities, two world wars, the development of nuclear energy and the atomic bomb, the Korean and Vietnam wars, and the conquest of outer space by landing a man on the moon. It would take many volumes to describe that which has advanced the cause of civilization during the past one hundred years; and it would stagger the imagination to ponder the vicissitudes of technology for the next one hundred years—if we don’t destroy ourselves in the process.

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording

Drawing on personal correspondence, notebooks, and public records never before tapped, as well as interviews with Camus's family, friends, fellow workers, writers, mentors, and lovers, here is the enormously engaging, vibrant, and richly researched biography of the Nobel Prize winning author. Todd shows us a Camus who struggled all his life with irreconcilable conflicts—between his loyalty to family and his passionate nature, between the call to political action and the integrity to his art, between his support of the native Algerians and his identification with the forgotten people, the poor whites. A very private man, Camus could be charming and prickly, sincere and theatrical, genuinely humble, yet full of great ambition. Todd paints a vivid picture of the time and place that shaped Camus—his impoverished childhood in the Algerian city of Belcourt, the sea and the sun and the hot sands that he so loved (he would always feel an exile elsewhere), and the educational system that nurtured him. We see the forces that lured him into communism, and his attraction to the theater and to journalism as outlets for his creativity. The Paris that Camus was inevitably drawn to is one that Todd knows intimately, and he brings alive the war years, the underground activities that Camus was caught up in during the Occupation and the bitter postwar period, as well as the intrigues of the French literati who embraced Camus after his first novel, L'Etranger, was published. Todd is also keenly attuned to the French intellectual climate, and as he takes Camus's measure as a successful novelist, journalist, playwright and director, literary editor, philosopher, he also reveals the temperament in the writer that increasingly isolated him and crippled his reputation in the years before his death and for a long time after. He shows us the solitary man behind the mask—debilitated by continuing bouts of tuberculosis, constantly drawn to irresistible women, and deeply troubled by his political conflicts with the reigning French intellectuals, particularly by the vitriol of his former friend Sartre over the Algerian conflict. Filled with sharp observations and sparkling with telling details, here is a wonderfully human portrait of the Nobel Prize-winning writer, who died at the age of forty-six and who remains one of the most influential literary figures of our time.

In Einstein in Love, Dennis Overbye has written the first profile of the great scientist to focus exclusively on his early adulthood, when his major discoveries were made. It reveals Einstein to be very much a young man of his time-draft dodger, self-styled bohemian, poet, violinist, and cocky, charismatic genius who left personal and professional chaos in his wake. Drawing upon hundreds of unpublished letters and a decade of research, Einstein in Love is a penetrating portrait of the modern era's most influential thinker.

Was Einstein Religious or Atheist? Did Einstein help build the atomic bomb? (in this book you will find the backstage pertaining to the arms race between the Allies and the Nazis for obtaining the atomic bomb). Did Einstein create the theory of relativity or was it his wife, Mileva Maric? Was Einstein a Communist? Was he autistic? All the truths and lies about Albert Einstein revealed in this book.

A suspenseful, emotionally charged real-life Sopranos: The son of New York's most notorious Mafia killer reveals the conflicted life he led being raised by a cold-blooded murderer, who was also a devoted family man, and the wrenching legacy of Mafia family life. Al DeMeo will never forget the day in 1992 when a coworker, a fellow trader at the New York Stock Exchange, taunted him with a copy of the hot new book Murder Machine, chronicling the horrific criminal life of DeMeo's father, Roy, the head of the most deadly gang in organized crime. The moment sent DeMeo into a psychological tailspin: How could he have spent his life looking up to, and loving, a vicious killer? For the Sins of My Father recounts the chilling rise and fall of the man who led the Gambino family's most fearsome killers and thieves, through the eyes of a son who had never known any other kind of life. Coming of age in an opulent Long Island house where money is abundant but its source is unclear, Al becomes Roy's confidant, sent to call in loans at age fourteen and gradually coming to understand his father's job description--loan shark, car thief, porn purveyor and, above all, murderer. But when Al is seventeen, Roy's body is found in the trunk of a car, a gangland slaying that places Al between federal prosecutors seeking his testimony and a mob crew determined to keep him quiet. Desperate to abide by the father-son bond, but equally determined to escape his father's dangerous and doomed life, Al Demeo embarks on a courageous quest for the truth, reconciliation, and honor. With the implacable narrative drive of a thriller and the power of a painfully honest memoir, For the Sins of My Father presents a startling and unprecedented perspective on the underworld of organized crime, exposing for the first time the cruel legacy of a Mafia life.

Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s