Writing about the past helps to explain why I am discontent and continuously angry. I am reminded that America is a society dominated by religious fundamentalism and racism. After a time, I rejected the White American world and went to Asia, seeking another basis for my identity. My identity is still in question. I cannot become an Asian and although I was born in this country, I am not accepted as an American citizen. As my birth certificate clearly states - I am not of an accepted racial color.

The Life and Times of Walter Reuther: An Unfinished Liberal Legacy recounts the events and social movements that have shaped modern America and examines Reuther’s involvement in them. For over thirty years, Walter Reuther and his United Automobile Workers union were in the vanguard of voices advancing liberal economic and social policies that raised the standard of living for many Americans, extended the protection of the law, and provided a measure of security for the aged, infirm, disabled, and unemployed. In the narrative, Reuther serves as the lens through which a period of labor advances, civil rights struggle, and hot and cold wars are viewed from a liberal perspective. The book follows Walter and Victor Reuther on their European adventure to their ancestral homeland during the rise of Hitler and into the Gorky autoworks factory in Soviet Russia. The pair returned home to the labor battles in Flint and Dearborn that established a UAW presence in the factories and brought Walter Reuther to the bargaining table to negotiate the agreements that served as the treaty between labor and management for over two decades. Reuther’s story includes assassination attempts, confrontations with Senator Goldwater and Nikita Khrushchev, and a presence on the world stage and on the steps of the Lincoln Memorial when Martin Luther King recounted his dream. In the later chapters, the book looks beyond the life of the man and the events of his time and seeks to advance a liberal legacy that recently has been relentlessly attacked and too timidly defended.

The "stirring," definitive history of America's decisive role in winning World War I (Wall Street Journal). The American contribution to World War I is one of the great stories of the twentieth century, and yet it has all but vanished from view. Historians have dismissed the American war effort as largely economic and symbolic. But as Geoffrey Wawro shows in Sons of Freedom, the French and British were on the verge of collapse in 1918, and would have lost the war without the Doughboys. Field Marshal Douglas Haig, commander of the British Expeditionary Force, described the Allied victory as a "miracle" -- but it was a distinctly American miracle. In Sons of Freedom, prize-winning historian Geoffrey Wawro weaves together in thrilling detail the battles, strategic deliberations, and dreadful human cost of the American war effort. A major revision of the history of World War I, Sons of Freedom resurrects the brave heroes who saved the Allies, defeated Germany, and established the United States as the greatest of the great powers.

The Korean Kingdom and the United States signed a Treaty of Amity and Commerce in 1882. This treaty opened Korea to American missionaries who proselytized Christianity to the Koreans. When Hawaii sugar planters recruited Koreans to come to Hawaii to work in the Hawaii sugar plantations, they picked most of the Korean Hawaii emigrants from the Korean Christian converts. Between 1902 and 1905, some 7,000 of them immigrated to Hawaii. Of those 7,000, about 2,000 transmigrated to the mainland. Most of these Hawaii Korean trans-migrants settled on the West Coast, primarily in California. This book tells the Korean immigrants' life stories in California's eight San Joaquin Valley farm communities: Fresno, Hanford, Visalia, Dinuba, Reedley, Delano, Willows, and Maxwell. It describes how they survived through discrimination and injustices in early twentieth-century America, and also details the Korean immigrants' efforts to regain their lost motherland from Japanese colonialism (1910-1945).

An expanded, updated edition of the classic study of Cuban-American culture, this engaging book, which mixes the author’s own story with his reflections as a trained observer, explores how both famous and ordinary members of the “1.5 Generation” (Cubans who came to the United States as children or teens) have lived “life on the hyphen”—neither fully Cuban nor fully American, but a fertile hybrid of both. Offering an in-depth look at Cuban-Americans who have become icons of popular and literary culture—including Desi Arnaz, Oscar Hijuelos, musician Pérez Prado, and crossover pop star Gloria Estefan, as well as poets José Kozer and Orlando González Esteva, performers Willy Chirino and Carlos Oliva, painter Humberto Calzada, and others—Gustavo Pérez Firmat chronicles what it means to be Cuban in America. The first edition of Life on the Hyphen won the Eugene M. Kayden National University Press Book Award and received honorable mentions for the Modern Language Association’s Katherine Singer Kovacs Prize and the Latin American Studies Association’s Bryce Wood Book Award.

No one preaches in a cultural vacuum. The message of what God has done in Christ is good news to all, but to have the greatest impact on its hearers--or even to be understood at all--it must be culturally contextualized. Finding Our Voice speaks clearly to an issue that has largely been ignored: preaching to Asian North American (ANA) contexts. In addition to reworking hermeneutics, theology, and homiletics for these overlooked contexts, Kim and Wong include examples of culturally-specific sermons and instructive questions for contextualizing one's own sermons. Finding Our Voice is essential reading for all who preach and teach in ANA contexts. But by examining this kind of contextualization in action, all who preach in their own unique contexts will benefit from this approach.

A vivid, engaging account of the artists and artworks that sought to make sense of America's first total war, Grand Illusions takes readers on a compelling journey through the major historical events leading up to and beyond US involvement in WWI to discover the vast and pervasive influence of the conflict on American visual culture. David M. Lubin presents a highly original examination of the era's fine arts and entertainment to show how they ranged from patriotic idealism to profound disillusionment. In stylishly written chapters, Lubin assesses the war's impact on two dozen painters, designers, photographers, and filmmakers from 1914 to 1933. He considers well-known figures such as Marcel Duchamp, John Singer Sargent, D. W. Griffith, and the African American outsider artist Horace Pippin while resurrecting forgotten artists such as the mask-maker Anna Coleman Ladd, the sculptor Gertrude Vanderbilt Whitney, and the combat artist Claggett Wilson. The book is liberally furnished with illustrations from epoch-defining posters, paintings, photographs, and films. Armed with rich cultural-historical details and an interdisciplinary narrative approach, David Lubin creatively upends traditional understandings of the Great War's effects on the visual arts in America.