The publication in 2012 by Éditions Glyphe of The Life and Pioneering Work of Louis-Victor Marcé answered the need for a study of Marcé's life and work. The Marcé Society had long pointed to the dearth of information on Marcé's life and the need to situate Marcé's magisterial Treatise on the Madness of Pregnant Women in the context of Marcé's entire scholarly production. The thorough investigation conducted by the late Thérèse Lempérière (1925-2013) and Jean-Pierre Luauté brings to light for the first time the facts surrounding Marcé's tragic death and sheds additional light on Marcé's genius as clinician and pioneer in underexplored fields of pathology. ABOUT THE AUTHORS Thérèse Lempérière (1925-2013) was a Professor of Psychiatry in Paris where she worked with Jean Delay and Pierre Deniker and contributed to the launching of neuroleptics; she was the author of many training books among witch Psychiatry of the adults. Jean-Pierre Luauté neuropsychiatrist, worked for 30 years in a state hospital in the department of la Drôme, he is interested in the study of the borders between psychiatry ans neurology and by the history of these specialities.

As a major mainstay of clinical focus and research today, bipolar disorder affects millions of individuals across the globe with its extreme and erratic shifts of mood, thinking and behavior. Edited by a team of experts in the field, The Bipolar Book: History, Neurobiology, and Treatment is a testament and guide to diagnosing and treating this exceedingly complex, highly prevalent disease. Featuring 45 chapters from an expert team of contributors from around the world, The Bipolar Book delves deep into the origins of the disorder and how it informs clinical practice today by focusing on such topics as bipolar disorder occurring in special populations, stigmatization of the disease, the role genetics play, postmortem studies, psychotherapy, treatments and more. Designed to be the definitive reference volume for clinicians, students and researchers, Aysegül Yildiz, Pedro Ruiz and Charles Nemeroff present The Bipolar Book as a "must have" for those caregivers who routinely deal with this devastating disease.

As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.

In Remembrance of Patients Past, historian Geoffrey Reaume remembers previously forgotten psychiatric patients by examining in rich detail their daily life at the Toronto Hospital for the Insane (now called the Centre for Addiction and Mental Health – CAMH) from 1870-1940. Psychiatric patients endured abuse and could lead monotonous lives inside the asylum's walls, yet these same women and men worked hard at unpaid institutional jobs for years and decades on end, created their own entertainment, even in some cases made their own clothes, while forming meaningful relationships with other patients and some staff. Using first person accounts by and about patients – including letters written by inmates which were confiscated by hospital staff – Reaume weaves together a tapestry of stories about the daily lives of people confined behind brick walls that patients themselves built.