For over a year, Railroad Bill eluded sheriffs, private detectives hired by the L&N line, and bounty hunters who traveled across the country to match guns with the legendary desperado. The African American outlaw was wanted on multiple charges of robbery and murder, and rumor had it that he stole from the rich to give to the poor. He terrorized busy train lines from east of Mobile to the Florida Panhandle, but as soon as the lawmen got close, he disappeared into the bayous and pine forests--until one day his luck ran out, and he was gunned down inside a general store in Atmore, Alabama. Little is known about Railroad Bill before his infamy--not his real name or his origins. His first recorded crime, carrying a repeating rifle without a license, led him into a gunfight with a deputy and made him a wanted man throughout Florida in 1894. His most celebrated escape--a five-day foot chase with scores of men and several bloodhounds--led to tales of Railroad's supernatural ability to transmogrify into an animal or inanimate object at will. As his crimes progressed from robbing boxcars to wounding trainmen to murdering sheriffs, more and more reward money was offered for his capture--dead or alive. Today, Railroad Bill is the subject of many folk songs popularized by singers such as Paul McCartney, Taj Mahal, Gillian Welch, and Ramblin' Jack Elliot. But who was he? Where did he come from? What events led to his murderous spree? And why did some view him as a hero? In Railroad Bill, Larry Massey separates fact from myth and teases out elusive truths from tall tales to ultimately reveal the man behind the bandit's mask.

After the upheavals of the Civil War and Reconstruction shattered the plantation economy of the Old South, white southerners turned to the railroad to reconstruct capitalism in the region. Examining the rapid growth, systemization, and consolidation of the southern railroad network, R. Scott Huffard Jr. demonstrates how economic and political elites used the symbolic power of the railroad to proclaim a New South had risen. The railroad was more than just an economic engine of growth; it was a powerful symbol of capitalism's advance. However, as the railroad spread across the region, it also introduced new dangers and anxieties. White southerners came to fear the railroad would speed an upending of the racial order, epidemics of yellow fever, train wrecks, violent robberies, and domination by corporate monopolies. To complete the reconstruction of capitalism, railroad corporations and their allies had to sever the negative aspects of railroading from capitalism's powers and deny the railroad's transformative powers to black southerners. This study of the New South's experience with the growing railroad network provides valuable insights into the history of capitalism--how it evolves, expands, and overcomes resistance.

"The author examines actor Clint Eastwood's influence on the Western film as a genre, as well as how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism"--

The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.

Known for antebellum mansions and sunny beaches, Alabama also claims an abundance of fascinating mysteries and legends. The White Thang is a Sasquatch-like creature that has terrorized Alabamians for generations. For a brief period in the 1980s, Needham gained national attention because of its "crying pecan tree." In 1854, a farmer named Orion Williamson simply vanished in a field in Selma. From the aquatic beast known as the Coosa River Monster to the story of the Leprechaun of Mobile, these stories have evolved over generations. Author Alan Brown presents some of the strangest stories from this collective tradition.

An Edgar Award finalist for Best Fact Crime, this “impressive…open-eyed investigative inquiry wrapped within a cultural history of rural America” (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America. Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

This collection surveys the underside of American history through fifty of its most infamous characters from colonial times up through the twentieth century.