A Student Edition of McDonagh's dramatic engagement with Republican paramilitaries, first produced by the RSC in 2000.

A farcical look at political violence as it's played out during the Troubles in Northern Ireland against the drab backdrop of a bare, rustic Irish cottage and unending boredom in an inhospitable environment in which a mutilated cat sets off a murderous cycle of revenge. Wee Thomas was a friendly cat. He would always say hello to you were you to see him sitting on a wall. (Pause.) He won't be saying hello no more, God bless him. Not with that lump of a brain gone. Who knocked Wee Thomas over on the lonely road on the island of Inishmore, and was it an accident? "Mad Padraig" will want to know when he gets back from a stint of torture and chip shop bombing in Northern Ireland: he loves that cat more than life itself.

A jet-black comedy debut from Martin McDonagh.

Winner 1996 Evening Standard Award for Most Promising Playwright; Winner 1996 George Devine Award for Most Promising Playwright For one week each autumn, Mick Dowd is hired to disinter the bones in certain sections of his local cemetery, to make way for new arrivals. As the time approaches for him to dig up those of his own late wife, strange rumours regarding his involvement in her sudden death seven years ago gradually begin to resurface.

In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No one is more excited than Billy, an unloved and crippled boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.

The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely woman in her early forties, and Mag her manipulative ageing mother whose interference in Maureen's first and potentially last loving relationship sets in motion a train of events that is as gothically funny as it is horrific.

A family is the subject of THE ARCHITECTURE OF LOSS, Ms. Cho's touching new play...[The] scenes are very strong; they run deep. --NY Times. ...THE ARCHITECTURE OF LOSS is the kind of play one wishes there were more of: totally unpretentious, of the utmost s