Grzegorz W. Kolodko, one of the world's leading authorities on economics and development policy and a key architect of Poland's successful economic reforms, applies his far-reaching knowledge to the past and future of the world economy, introducing a framework for understanding our global situation that transcends any single discipline or paradigm. Deploying a novel mix of scientific evaluation and personal observation, Kolodko begins with a brief discussion of misinformation and its perpetuation in economics and politics. He criticizes the simplification of complex economic and social issues and investigates the link between developments in the global economy and cultural change, scientific discoveries, and political fluctuations. Underscoring the necessity of conceptual and theoretical innovation in understanding our global economic situation, Kolodko offers a provocative study of globalization and the possibility of coming out ahead in an era of worldwide interdependence. Deeply critical of neoliberalism, which sought to transfer economic control exclusively to the private sector, Kolodko explores the virtues of social-economic development and the new rules of the economic game. He concludes with a look at our near and distant future, questioning whether we have a say in its making.

In this funny, irreverent, unique, eccentric memoir, magician Steve Spill reveals how he managed to survive decades inside a rarely profitable, sometimes maddening, but often deliciously rewarding offbeat showbiz profession—magic! Spill tells of how his tailor grandfather sewed secret pockets in a magician’s tuxedo back in 1910, which started his childhood dream to become a magician. This dream took Spill on a journey that started with him performing, as a young boy, at a “Beauty on a Budget” neighborhood house party to engagements in Europe, Africa, and the Caribbean, to today in Santa Monica, California, where he’s been starring in his own shows since 1998 at Magicopolis, the theater he designed and built himself. Being a magician has given Spill the opportunity to interact with the world’s most famous and fascinating people. In his memoir, Spill reveals the many unique encounters that his profession has led him to enjoy and endure: hosting Sting as his opening act one night, spending two days on camera with Joan Rivers, and selling tricks to Bob Dylan, as well as encounters with Adam Sandler, Stephen King, and other celebrities. I Lie for Moneyis a literary magic show that captures the highs and lows of an extraordinary life that will delight and amaze you with wit and wickedness. This book should be an obligatory read for anyone considering a creative career, and it serves as an inspiration to those who desire to craft an independent life.

In 1977, the Gardzienice Theatre Association, an experimental theatre company was founded in a tiny Polish village. By 1992 The Observer was hailing "Brilliant Gardzienice...and orgy of joy, anguish, prayer and lamentation performed in candlelight with hurtling energy and at breakneck speed...Physically reckless, thrillingly well sung...On no account to be missed. " Today the Gardzienice Theatre Association is hailed as Poland's leading theatre group, training Royal Shakespeare Company actors and touring the world. Paul Allain describes and analyses their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities. This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased commercialization of the arts.

The "new immigrants" who came from southern and eastern Europe at the turn of the century have rarely been the subject of detailed scholarly examination. In particular, Poles and other Slavic groups have usually been written about in a filiopietist manner. Edward Kantowicz fills this gap with his incisive work on Poles in Chicago. Kantowicz examines such questions as why Chicago, with the largest Polish population of any city outside of Poland, has never elected a Polish mayor. The author also examines the origins of the heavily Democratic allegiance of Polish voters. Kantowicz demonstrates that Chicago Poles were voting Democratic long before Al Smith, Franklin Roosevelt, or the New Deal. Kantowicz has made extensive use of registration lists and voting records to construct a statistical picture of Polish-American voting behavior in Chicago. He draws on church records and census records to provide a detailed description of Chicago's many Polish neighborhoods. He also has studied the city's Polish-language press as well as the few manuscript collections left by Polish-American politicians. These collections, together with data gleaned from interviews with individuals who were acquainted with these figures, are used to sketch profiles of the political leaders of Polonia's capital. Kantowicz focuses on the goals which the Polish-American community pursued in politics, the issues they deemed important, and the functions which politics served for them. He links this analysis to observations on the homeland and the reasons for which the Poles emigrated. In this context he is able to draw conclusions about the nature of the ethnic politics in general. His work will appeal to a variety of readers: urban and twentieth-century historians, political scientists, and sociologists.