Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.

This study, exploring a broad range of evocative Irish travel writing from 1850 to 1914, much of it highly entertaining and heavily laced with irony and humour, draws out interplays between tourism, travel literature and commodifications of culture. It focuses on the importance of informal tourist economies, illicit dimensions of tourism, national landscapes, ‘legend’ and invented tradition in modern tourism.

Arthur Kingsley Porter, (1883 1933) renowned American, Harvard professor and owner of Glenveagh Castle, vanished without trace from Inishbofin Island, Co. Donegal, in 1933. No trace of the professor was ever found. Over the decades stories of Porter's disappearance turned into legend. A strong swimmer and always fond of the outdoors, was it likely that Porter had been drowned by misadventure or was foul play involved? Perhaps Porter took off alone to pursue new adventures? By the late 1920s Porter and his wife Lucy possessed every asset that most mortals can only dream of. But was there a dark secret that led the enigmatic professor to jump from the rocks on that fateful morning? The truth about the secret inner world of Arthur Kingsley Porter has only recently been revealed. In a historical thriller set in Ireland, America and Europe in the 1920s and 30s, Lucy Costigan conjures up the world of Irish cultural and rural life, examines Porter s friendship with the literary figure AE and Irish society luminaries, and celebrates the raw beauty of Glenveagh and Donegal.

The book provides the first detailed, comprehensive assessment of the ideological basis and practical operation of the poor law system in the post-Famine period in Ireland (18501914).

One of the most revealing things about national character is the way that citizens react to and report on their travels abroad. Oftentimes a tourist's experience with a foreign place says as much about their country of origin as it does about their destination. A Happy Holiday examines the travels of English-speaking Canadian men and women to Britain and Europe during the late nineteenth and early twentieth centuries. It describes the experiences of tourists, detailing where they went and their reactions to tourist sites, and draws attention to the centrality of culture and the sensory dimensions of overseas tourism. Among the specific topics explored are travellers' class relationships with people in the tourism industry, impressions of historic landscapes in Britain and Europe, descriptions of imperial spectacles and cultural sights, the use of public spaces, and encounters with fellow tourists and how such encounters either solidified or unsettled national subjectivities. Cecilia Morgan draws our attention to the important ambiguities between empire and nation, and how this relationship was dealt with by tourists in foreign lands. Based on personal letters, diaries, newspapers, and periodicals from across Canada, A Happy Holiday argues that overseas tourism offered people the chance to explore questions of identity during this period, a time in which issues such as gender, nation, and empire were the subject of much public debate and discussion.