Volume 3 of the letters presents 942 letters in the series, covering the period October 1916 to June 1921, showing the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution.

This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.

This volume contains 942 letters written between October 1916 to June 1921. These letters show the frustration he experienced in finding a publisher for Women in Love in the wake of the Rainbow prosecution. Concurrently he began to write the essays which subsequently formed Studies in Classical American Literature, he also planned and wrote a school textbook, Movements in European History. There were important changes in his business affairs: the beginning of his association with the American publisher Thomas Seltzer and the change from the literary agent Pinker to Mountsier in New York and Curtis Brown in London. There is a particularly interesting correspondence with Compton Mackenzie, and the rupture of his old friendship with Middleton Murry and Katherine Mansfield. This period was a turning point, the beginning of his break with England and with Europe, before he made his journey to Ceylon and Australia en route for the USA. Published in two volumes.

D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology.

In addition, the collection demonstrates that although Lawrence has been misread as sexist, Lawrence studies has continued to attract women scholars."--BOOK JACKET.

This book opens out a wholly new field of enquiry within a familiar subject: it offers a detailed – yet eminently readable – historical investigation, of a kind never yet undertaken, of the impact of psychoanalysis (at a crucial moment of its history) on the thinking and writing of D.H. Lawrence. It considers the impact on his writing, through his relationship with Frieda Weekley, of the maverick Austrian analyst Otto Gross; it situates the great works of 1911-20 in relation to the controversial issues at stake in the Freud-Jung quarrel, about which his good friend, the English psychoanalyst David Eder, kept him informed; and it explores his sympathy with the maverick American analyst Trigant Burrow. It is a study to interest a literary audience by its close reading of Lawrence’s texts, and a psychoanalytic audience by its detailed consideration of the contribution made to contemporary debate by three comparatively neglected analytic thinkers.