From one of our foremost naval historians, the compelling story of the doomed Arctic voyage of the HMS Erebus and the HMS Terror, commanded by Captain Sir John Franklin. Andrew Lambert, a leading authority on naval history, reexamines the life of Sir John Franklin and his final, doomed Arctic voyage. Franklin was a man of his time, fascinated, even obsessed with, the need to explore the world; he had already mapped nearly two-thirds of the northern coastline of North America when he undertook his third Arctic voyage in 1845, at the age of fifty-nine. His two ships were fitted with the latest equipment; steam engines enabled them to navigate the pack ice, and he and his crew had a three-year supply of preserved and tinned food and more than one thousand books. Despite these preparations, the voyage ended in catastrophe: the ships became imprisoned in the ice, and the men were wracked by disease and ultimately wiped out by hypothermia, scurvy, and cannibalism. Franklin's mission was ostensibly to find the elusive North West Passage, a viable sea route between Europe and Asia reputed to lie north of the American continent. Lambert shows for the first time that there were other scientific goals for the voyage and that the disaster can only be understood by reconsidering the original objectives of the mission. Franklin, commonly dismissed as a bumbling fool, emerges as a more important and impressive figure, in fact, a hero of navigational science.

Until now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.

Philip Waller explores the literary world in which the modern best-seller first emerged, with writers promoted as stars and celebrities, advertising both products and themselves.

"American Bloods is an unflinching history of our nation . . . This is a breakout book for John Kaag—the natural extension of his genre-defining writing.” —Doris Kearns Goodwin, Pulitzer Prize–winning author of Leadership: In Turbulent Times A history of a family spanning centuries and continents—one that unfolds into a new portrait of America. The Bloods were one of America’s first and most expansive pioneer families. They explored and laid claim to the frontiers—geographic, political, intellectual, and spiritual—that would become the very core of the United States. John Kaag’s American Bloods is the account of a remarkable American family, of its participation in the making of a nation, and of how its members embodied the elusive ideals enshrined in the Declaration of Independence. Inspired by the discovery of a mysterious manuscript in an old Massachusetts farmhouse, Kaag follows eight members of this family from the British Civil Wars in the seventeenth century through the founding of the colonies, the American Revolution, transcendentalism, the Industrial Revolution, the Civil War, and the rise of first-wave feminism, all the way to the beginning of the twentieth century. The Bloods were active participants in virtually every pivotal moment in American history, coming into contact with everyone from Emerson and Thoreau to John Brown, Frederick Douglass, Victoria Woodhull, and William James. The genealogy of the family tracks the ebb and flow of what Thoreau called “wildness,” an original untamed spirit that would recede in the making of America but would never be extinguished entirely. American Bloods is an enduring reminder of the risks and rewards that were taken in laying claim to the lands that would become the United States, and a composite portrait of America like no other.