In November of 667 A.D., Fidelma of Cashel has returned home to her brother's castle to discover that a servant, her son's nurse, has been found brutally murdered in the woods near town, and her son is missing, presumed kidnapped or worse. Sister Fidelma, sister to king of Muman in Ireland, an advocate of the Brehon courts, and a religieuse of the Celtic Church, and her husband Brother Eadulf now must face their most personal and baffling case ever. Is there a traitor at her brother's court? Are the Ui Fidgente, the old blood enemies of Fidelma's family, involved? And what is the role of the mysterious dwarf seen leaving the kingdom carrying a leper's bell? With few clues and precious little time, Fidelma must unravel this complicated puzzle in time to rescue her missing child.

Ben Pelton has a high view of himself, blaming his misfortunes on chance or other people's malice. After he's fired from his law job he takes his family to the Middle East - but pretty soon he runs into trouble after a traffic accident and a hot night with an arms dealer and two local girls.

Medieval history is rich in rules and regulations for lepers, but reveals little of who they were or what became of them. This book searches for the reality of the individuals themselves, people who through their disease - or suspicion of it - contributed a unique chapter to social and medical history. Their hopes, fears, frustrations, and sufferings are explored partly through English medieval sources but mainly through the record of the remarkable survival of both leprosy and many medieval attitudes to it in the Aland islands between Sweden and Finland in the seventeenth century, where the struggle of a poor community both to contain the disease and to provide for those suffering from it were recorded for over a quarter of a century by the rural dean. The medical identity of medieval leprosy is confirmed from descriptions, from portraits (many previously unpublished or forgotten), and from the characteristic mutilations of bones; an appendix of original documents forms a unique collection of source material for social and medical historians. The late PETER RICHARDS was a former Professor of Medicine and Dean of St Mary's Hospital Medical School in London, and President of Hughes Hall, Cambridge.

A comedian, singer, composer, musician, linguist, actor, author and a favourite of Sean Connery and Billy Connolly's, Norman MacLean is a living legend in the Gaelic world and a household name across the Highlands and Islands of Scotland. Yet for all his creative genius Norman MacLean is virtually anonymous outside this ribbon of northern Scotland. His career has been etched with enormous highs and lows - a reflection of the turmoil of his private life, where a lifelong battle with alcohol has had a crippling effect on everything that he has touched, and which has arguably prevented him from achieving the global recognition that his undoubted talent so merited. In The Leper's Bell, an erudite, analytical and frank autobiography of this wonderful, unique, but ultimately little-known star, Norman MacLean reveals the man behind the comedy and the crippling horrors of alcoholism. It is in turns tragic and uplifting, devastating and hilarious, elegant and heartbreaking, and one of the most compelling and moving memoirs to appear in recent years.

The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. "Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review

An innovative, interdisciplinary study of why leprosy, a disease with a very low level of infection, has repeatedly provoked revulsion and fear. Rod Edmond explores, in particular, how these reactions were refashioned in the modern colonial period. Beginning as a medical history, the book broadens into an examination of how Britain and its colonies responded to the believed spread of leprosy. Across the empire this involved isolating victims of the disease in 'colonies', often on offshore islands. Discussion of the segregation of lepers is then extended to analogous examples of this practice, which, it is argued, has been an essential part of the repertoire of colonialism in the modern period. The book also examines literary representations of leprosy in Romantic, Victorian and twentieth-century writing, and concludes with a discussion of traveller-writers such as R. L. Stevenson and Graham Greene who described and fictionalised their experience of staying in a leper colony.