Relates how the leopard got his spotted coat in order to hunt the animals in the dappled shadows of the forest.

Do genes explain life? Can advances in evolutionary and molecular biology account for what we look like, how we behave, and why we die? In this powerful intervention into current biological thinking, Brian Goodwin argues that such genetic reductionism has important limits. Drawing on the sciences of complexity, the author shows how an understanding of the self-organizing patterns of networks is necessary for making sense of nature. Genes are important, but only as part of a process constrained by environment, physical laws, and the universal tendencies of complex adaptive systems. In a new preface for this edition, Goodwin reflects on the advances in both genetics and the sciences of complexity since the book's original publication.

Winner of the Sherwood Anderson Foundation Fiction Award Honorable Mention for the PEN/Hemingway Award "F. Scott Fitzgerald meets Wes Anderson" (The Village Voice) in this inventive and witty debut about a young man’s quest to become a writer and the misadventures in life and love that take him around the globe—from the author of Why We Came to the City As early as he can remember, the narrator of this remarkable novel has wanted to become a writer. From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s hopelessly unreliable—yet hopelessly earnest—narrator will be haunted by the success of his greatest friend and literary rival, the brilliant Julian McGann, and endlessly enamored with Evelyn, the green-eyed girl who got away. A profound exploration of the nature of truth and storytelling, this delightful picaresque tale heralds Jansma as a bold, new American voice.

WHY THE LEOPARD HAS SPOTS SB

Like Alexander McCall Smith’s ever-popular No. 1 Ladies’ Detective Agency novels, The Boy Who Stole the Leopard’s Spots immerses readers in a breathtaking African landscape they simply will not wish to leave. For the third time, author Tamar Myers carries readers a world away from Charleston, South Carolina, and her Den of Antiquity cozy mysteries—circling the globe to the Belgian Congo in equatorial Africa in the 1950s. The Boy Who Stole the Leopard’s Spots is a wonderfully engrossing, breathtakingly evocative return to the lush locale of her previous acclaimed African-set mysteries, The Witchdoctor’s Wife (“[A] mesmerizing novel….Authentic. Powerful. Triumphant” —Carolyn Hart) and The Headhunter’s Daughter—as a monsignor of the Catholic church, shamed by a secret event in his past and accused of a terrible crime, must join forces with an American missionary, a police chief, and a witchdoctor and his wise-woman wife to clear his name.