Set in 1980s communist East Germany, Leipzig is a tale of personal and political betrayal. When Robert travels from St. Andrews to Leipzig University on a student exchange and falls in love with Magda, an enigmatic linguist from Berlin, he enters a world he doesn't understand. Magda has a hidden agenda, and his stumbling attempts to help her end tragically.

Winner of the Virginia Prize for Fiction Nominated for Scottish First Book of the Year Award, Saltire Society Adapted as a BBC Radio 4 Book at Bedtime The year is 1985. East Germany is in the grip of communism. Magda, a brilliant but disillusioned young linguist, is desperate to flee to the West. When a black market deal brings her into contact with Robert, a young Scot studying at Leipzig University, she sees a way to realise her escape plans. But as Robert falls in love with her, he stumbles into a complex world of shifting half-truths – one that will undo them both. Many years later, long after the Berlin Wall has been torn down, Robert returns to Leipzig in search of answers. Can he track down the elusive Magda? And will the past give up its secrets? “A tense, compelling peek behind the Berlin Wall.” -- Kirkus Reviews “A gripping, complex debut” --Zoë Strachan “Will resonate loud and clear with anyone conscious of the dangers of CCTV culture in modern Britain” --Rodge Glass “Kept me hooked right to the end” --Linda Leatherbarrow “a page-turner that reminds one of the horrors of the cold war and the astonishing fall of the Berlin Wall.” --Margaret Drabble “...a page-turner that shifts from East to West and the dark days of the 1980s to present reunification.” --The Evening Times “Rintoul pulls the reader through her story with craft and psychological precision..." -- The Scotsman About the author Fiona Rintoul is a writer and translator based in Glasgow in Scotland. She writes fiction and articles, and translates from German and French into English. Fiona’s poems and short stories have appeared in anthologies and magazines, including Mslexia and Gutter, and she is a past winner of the Gillian Purvis New Writing Award and the Sceptre Prize.

Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.

The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection

Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power. The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history. A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition. Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

WINNER OF THE VIRGINIA PRIZE FOR FICTION Living in post-revolutionary Tehran, Layla refuses to bow to the ayatollahs’ rules, resisting her mother’s relentless attempts to find her a suitable husband. Instead, she embarks on an illicit affair with her art teacher, Keyvan, and they tentatively imagine a future together. But the sudden death of her uncle, an outspoken journalist, raises many unanswered questions and when Layla’s cousin, who is visiting from America, is arrested by the morality police, the komiteh, Layla’s plans for the future begin to unravel. “I was totally captivated by this novel. Layla is torn between her heart and the restrictions of her culture. She obeys her heart though not without a price. This wonderfully poetic story keeps you hooked right to the very end.” - Stephanie Hale, author and broadcaster “a bittersweet tale of betrayed trust and ruptured innocence... the feel for colour and language is vibrant” - featured in The Guardian first novel selection “Vividly written, fresh and eloquent, a girl’s poignant tale of love and menace in contemporary Iran.” - Fay Weldon “I loved this book. It gives you real insight into the world of educated middle-class Iranians in the early 21st century. We are so used to the Iranians we meet in the UK that we do not realise how hard it is to live under their political regime at home. A joy to read.” - www.openingthebook.com Louise Soraya Black Born in England in 1977 to an English mother and Iranian father. Her father worked for UNICEF so she spent 17 years living overseas, in countries including Iran, Pakistan, Bangladesh and Indonesia. In spite of all this travel, she had strong roots: the family spent their summers in England and winter holidays in Iran. She began an English degree at University College London, but after a year switched to Law. She spent 8 years in corporate law but was unfulfilled so began writing in her spare time. She felt it was important to write about Iran because Iran is portrayed in the media as a bleak and oppressive place. She wanted to show Iran as a beautiful country, where the food is delicious, and Iranians are warm and hospitable. And while the media tends to paint a portrait of Iranian women as submissive and voiceless, this was not at all her experience so she created resilient and brave female characters in her novel. She had just about given up hope of finding a publisher for this novel, when she found out that Pomegranate Sky had won the Virginia Prize, a new literary prize for unpublished women writers. She was astonished and overjoyed, particularly when the novel received excellent reviews. After the birth of her son, she didn't return to law and instead, decided to focus on her writing. She has just completed her second novel.

From the author of the international bestseller The Hidden Child comes a spellbinding story of impossible love set against the backdrop of the Nazi regime, perfect for fans of The Nightingale and All the Light We Cannot See. She must choose between loyalty to her country or a love that could be her destruction… As the dutiful daughter of a high-ranking Nazi officer, Hetty Heinrich is keen to play her part in the glorious new Thousand Year Reich. But she never imagines that all she believes and knows will come into stark conflict when she encounters Walter, a Jewish friend from the past, who stirs dangerous feelings in her. Confused and conflicted, Hetty doesn’t know whom she can trust and where she can turn to, especially when she discovers that someone has been watching her. Realizing she is taking a huge risk—but unable to resist the intense attraction she has for Walter—she embarks on a secret love affair with him. But as the rising tide of anti-Semitism threatens to engulf them, Hetty and Walter will be forced to take extreme measures. Will the steady march of dark forces destroy Hetty’s universe—or can love ultimately triumph…? Propulsive, deeply affecting, and inspired by the author’s family history, Daughter of the Reich is a mesmerizing page-turner filled with vivid characters, a meticulously researched portrait of Nazi Germany, and a reminder that the past must never be forgotten.