The legends belong to the vast corpus of German hagiography, yet the currency of these particular versions is documented today only by virtue of their inclusion in this Icelandic legendary.

From sinister spells to healing wells, this illustrated collection of 43 traditional Irish yarns brings forth the magic of a proud people and their lyrical landscapes. While you may know of the Blarney Stone or St. Patrick, you've probably never heard the saga of Lia Lfail, the ancient stone said to confirm a king's legitimacy by shrieking under the weight of his footsteps, or the legend of Dublin's haunted Hell Fire Club, where the devil himself was once believed to have paid a visit. Saturated with the colors of the Emerald Isle, the photos that grace these pages will transport you to a world of heroic deeds, violent deaths, and otherworldly adventures. Through these fanciful tales that have survived over the centuries, you'll glean fascinating facts on Irish genealogy, etymology and history. So suspend disbelief and step into a world steeped in storytelling and rich with lore.

Dispersed in two continents, four countries and six collections; many of its pages were cropped, cut into four, or lost forever; its history, origin, commissioner and audience are obscure; still, in its fragmented state it presents fifty-eight legends in abundant series of images, on folios fully covered by miniatures, richly gilded, using only one side of the fine parchment; a luxurious codex worthy of a ruler; a unique iconographic treasury of medieval legends; one of the most significant manuscripts of the medieval Hungarian Kingdom – these are all what we call the Hungarian Angevin Legendary.

Annotated bibliography covering two centuries of scholarly criticism on the extensive corpus of medieval saints' legends. with the assistance of Margaret RogersonSaints' legends are being increasingly recognised as one of the most important genres of the middle ages, and attract much critical attention. This volume surveys the scholarly literatureof the nineteenth and twentieth centuries on the extensive Middle English corpus. It also provides a conspectus of the genre's history in the Middle English period, and its place in the development of the modern discipline of Middle English, while both the introduction and the annotations give attention to the problematic boundaries between genres and to the issues involved in separating out texts from their manuscript contexts. General studies of the corpus as a whole are covered, as well as discussions and editions of individual legends, of the various extended cycles of legends, and of sermon collections that include hagiographic legends and exempla; the volume has been structured so as to provide an overview of the research on major works [for example the South English Legendary and St Erkenwald], and authors such as Osbern Bokenham, John Capgrave, William Caxton and John Mirk. It includesan Index of Scholars and Critics keyed to the Bibliography, an Index of Middle English Texts that covers all works, of whatever genre, mentioned in the annotations, and an Index of Manuscripts that gathers the references to the over 170 manuscripts cited.

In this book, Claire Puccia Parham reveals the human side of the project in the words of its engineers, laborers, and carpenters. Drawing on firsthand accounts, she provides a vivid portrait of the lives of the men who built the seaway and the women who accompanied them. On the fiftieth anniversary of the dedication of the power dam and waterway, this book is a fitting tribute to the hard work and dedication of the project’s 22,000 workers.