A complete epic fantasy trilogy for fans of Brandon Sanderson and Patrick Rothfuss who love compelling characters and outstanding world-building. Over 1500 pages described as "...captivating and unique!" A land broken. A realm shattered. A race enslaved. Two thousand years have passed since the Shattering. Humans rule and the once powerful faerie have no more rights than a dog. Isiilde, a coveted nymph, is destined to be sold when she comes of age, but her formidable guardian, Oenghus Saevaldr, has other ideas. Unfortunately, even he - the Bloody Berserker of Nuthaan - can't single-handedly protect a nymph from men and gods alike. Desperate, he carries her away to the Isle of the Wise Ones to beseech a mad seer for refuge. A secret sways the ancient, but his choice comes at a cost. A thousand wars have been fought over possession of a single nymph, and this one's mere presence proves disastrous. Isiilde's strange affinity with fire, stemming from Chaos itself, makes her every waking moment fraught with danger. As Oenghus strives to carve a future for the nymph, Isiilde trembles on a precipice, caught between the lust of men, the greed of kings, and an eternal struggle for dominance. As three powerful kingdoms vie to own her, the fire in her blood awakens, sparking a cataclysm that spirals into disaster. Includes books 1-3: A Thread in the Tangle, King's Folly, and The Broken God. "Riveting and epic!" "An extremely original tale." "Storytelling at its finest." "I can easily see the 'Legends of Fyrsta' becoming equivalent to the fantasy books that we all know and love from J. K. Rowling and J. R. R. Tolkien."

The Goths-a rumored people first known by history around the river Vistula in present Poland-was the people that more than other contributed to the fall of the Roman Empire. It was however also the Goths who preserved the Roman culture against other Germanic tribes. Earlier it has been generally assumed the Goths originated in Scandinavia but during the 20th c. many scholars have grown skeptical. The author has, using both Classical and Nordic sources and supplementary sciences, made probable there is an intimate connection between the Goths and the Nordic countries. Consequently it is quite possible that at least part of the Goths have a Nordic origin. The book rests on the basic hypothesis that the Goths are not a people but a number of tribes and peoples united through a common religious/cultic origin. The old dispute concerning the relationship between Svear and Gautar also gets quite a new meaning. The book is interdisciplinary and embraces history, religion, arts, linguistics and archaeology. In 1999 Ingemar Nordgren received his Ph.D. at Odense University, Denmark The book builds to a considerable extent on his dissertation but has been updated and partly rewritten with brand new material.

The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.

This fascinating collection of traditional metaphors and figures of speech, groups expressions according to theme. The second edition includes over 1,500 new entries, more information on first known usages, a new introduction and two expanded indexes. It will appeal to those interested in cultural history and the English language.