The story of Miss Kendra who, after losing a child, decides to make the local children feel safe and loved.

This book examines how drama therapists conceptualize and respond to relational and systemic trauma across systems of care including mental health clinics, schools, and communities burdened by historical and current wounds. This second edition of Trauma-Informed Drama Therapy: Transforming Clinics, Classrooms, and Communities offers a broad range of explorations in engaging with traumatic experience, across settings (clinical, educational, performance) and geographies (North America, Germany, Sri Lanka, South Africa, India, Belgium), and methodologies (Sesame, DvT, ethnography, performance, CANY, Self Rev). Each effort runs into obstacles, resistances, biases, and random events that highlight the authors’ passion and courage. No solutions are to be found. No grand schemes are proposed. Just hard work in the face of impenetrable truth: we are still at the beginning of understanding how to achieve an equitable, moral, accountable, healthy collective being-with. Confronting trauma, listening to victim testimonies, sitting with unsettling uncertainty, understanding the enormity of the problem, are difficult tasks, and over time wear people down. The chapters in this book belie this trend as they illustrate how the passion, creativity, faith, and perseverance of drama therapists the world over, each in their own limited way, can help. In each of these chapters you will read about people who have been pushed to the margins of existence, and then, how drama therapists have worked to remind them of their immutable, unique value that can transcend and transform those margins into spaces of care, power, and possibility. It will be useful for creative arts therapists, mental health professionals, educators, students and many others interested in the role of the drama and performance in the treatment of trauma.

This third edition of Current Approaches in Drama Therapy offers a revised and updated comprehensive compilation of the primary drama therapy methods and models that are being utilized and taught in the United States and Canada. Two new approaches have been added, Insight Improvisation by Joel Gluck, and the Miss Kendra Program by David Read Johnson, Nisha Sajnani, Christine Mayor, and Cat Davis, as well as an established but not previously recognized approach in the field, Autobiographical Therapeutic Performance, by Susana Pendzik. The book begins with an updated chapter on the development of the profession of drama therapy in North America, followed by a chapter on the current state of the field written by the editors and Jason Butler. Section II includes the 13 drama therapy approaches, and Section III includes the three related disciplines of Psychodrama and Sociodrama, Playback Theatre, and Theatre of the Oppressed that have been particularly influential to drama therapists. This highly informative and indispensable volume is structured for drama therapy training programs. It will continue to be useful as a basic text of drama therapy for both students and seasoned practitioners, including mental health professionals (such as counselors, clinical social workers, psychologists, creative arts therapists, occupational therapists), theater and drama teachers, school counselors, and organizational development consultants.

Will the elemental demons and the evil spirit Daeva be released? If that were to happen, chaos would be unleashed upon a fragile world again. Jade Pamal has to continue her journey as the KamiLah. Discovering new friendships along with old ones might be what she needs. When cherished souls are ripped away, can Jade find her courage and face new foes? Fire burns so brightly and is dangerous if you get too close to the flame. In order to rise, first you must burn, or so the saying goes at Kingston School for Ugnis Souls. Jade finds herself in an unfamiliar place with new challenges. Will Jade survive or succumb to social pressure? By looking into her past life, maybe she will discover how to live in the present. As the world changes around her, the KamiLah must find her courage, or fail.

High-powered Boston attorney Teri Dane learned well the pain associated with caring deeply about someone. Having grown up watching her father physically abuse her mother, Teri swore that she would never allow any man to have the power to hurt her. Since then, she has protected her heart by caring only about the things that she wanted. Now, at the age of forty-nine, she's reached the pinnacle of her career by attaining a partnership in the largest law firm in the country. Living the lavish lifestyle that comes with such stature, she feels she has it all. But when she rejects a marriage proposal from her boyfriend, John, it sends him spiraling into a drunken despair, and he ends up dead after a late-night robbery. John's older brother, Mike, a doctor who works with the poor in Ethiopia, blames Teri's cold heart for John's death and decides to teach her a lesson. Taken from the comforts of luxury and security in Boston, Teri is plunged directly into the midst of suffering, hunger, and pain in Ethiopia. Forced to witness so many innocents suffer, she is compelled to confront her life's greatest fear of becoming emotionally attached. But is it too late for her to learn?