Manuela Lisa, the beautiful raven-haired daughter of a wealthy Spanish fur trader, was forced t flee her St. Louis home and venture westward at the age of 13 after the mysterious untimely death of her father. At her fathers bedside she received a small packet and, in his dying breath, her father told her a secret that would cause her to travel the mountains and valleys of the American wilderness to fulfill her quest. This is her storya courageous woman who left her mark in a mans world in the American west of the 1800s.

"About the Author and Artist: I have taught art in the public schools of Casper, Wyoming for six years and received my Masters of Education through Lesley University while teaching. However, I am originally from Buffalo, Wyoming. Crazy Woman Creek runs through my family's ranch at the foot of the Big Horn Mountains. I grew up only three miles from the mouth of the canyon. I have always been fascinated by the beauty of the surrounding landscape. Crazy Woman Canyon is one of my favorite places for inspiration as an artist. Each time I travel through the canyon, I find peace and tranquility. God's paint brush touches nature in a dazzling way, no two trips through the canyon are ever the same. My grandfather invited the Indians to camp at our family ranch, called Klondike, when they were traveling from the Black Hills to Ten Sleep. Klondike was one of the customary ten "sleeps" between the Black Hills of South Dakota and the town of Ten Sleep in the Big Horn Mountains. There is an identifiable landmark which can be seen far in the distance from the Big Horn. A large span of prominent pink, pointed, jagged rocks quilted together are north of Crazy Woman Canyon. These characterized pink rocks are known as Richter's Ridge. Louise Richter was a family friend who ranched in the Big Horns above Klondike. I felt a need to share the legend because of my roots and the stories I have heard as a child. The legend has been passed down by oral tradition for over 150 years. I am proud to share this story with those wondering about the Legend of Crazy Woman." -- back cover.

A “blessedly unromantic” portrait of real women’s lives in the contemporary American West (Kathleen Norris). This wide-ranging collection of essays and poetry reveals the day-to-day lives and experiences of a diverse collection of women in the western United States, from Buddhists in Nebraska to Hutterites in South Dakota to “rodeo moms.” A woman chooses horse work over housework; neighbors pull together to fight a raging wildfire; a woman rides a donkey across Colorado to raise money after the tragedy at Columbine. Women recall harmony found at a drugstore, at a powwow, in a sewing circle. Lively, heartfelt, urgent, enduring, Crazy Woman Creek celebrates community—connections built or strengthened by women that unveil a new West.

Circling Back Home is the story of one woman, at a time when values of home, family, and care of the land seem increasingly absent, looking to her past to create a life of significance for her family. Her search takes her back to the prairie of her grandmothers, who survived personal hardships and lived off what the land provided. Lipp-Acord mourns the loss of one child and celebrates the birth of others, all while balancing her own desire to put down roots with her husband's life as an itinerant ranch hand. Written over ten years, these essays compose a picture of endurance and grace as the author addresses her history and finds her way home. "[Darcy] Lipp-Acord is one woman, but she tells a dozen stories, her ancestors' voices mingling with her own: the farmer's daughter, the Catholic woman, the wife, the mother, the artist. . . . Circling Back Home reflects the life of a ranch woman in all its prismatic variety."—Linda M. Hasselstrom

Featured in multiple “must-read” lists, No One Tells You This is “sharp, intimate…A funny, frank, and fearless memoir…and a refreshing view of the possibilities—and pitfalls—personal freedom can offer modern women” (Kirkus Reviews). If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her fortieth birthday. Despite a successful career as a writer, and an exciting life in New York City, Glynnis was constantly reminded she had neither of the things the world expected of a woman her age: a partner or a baby. She knew she was supposed to feel bad about this. After all, single women and those without children are often seen as objects of pity or indulgent spoiled creatures who think only of themselves. Glynnis refused to be cast into either of those roles, and yet the question remained: What now? There was no good blueprint for how to be a woman alone in the world. It was time to create one. Over the course of her fortieth year, which this ​“beguiling” (The Washington Post) memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect. Through the trials of family illness and turmoil, and the thrills of far-flung travel and adventures with men, young and old (and sometimes wearing cowboy hats), she wrestles with her biggest hopes and fears about love, death, sex, friendship, and loneliness. In doing so, she discovers that holding the power to determine her own fate requires a resilience and courage that no one talks about, and is more rewarding than anyone imagines. “Amid the raft of motherhood memoirs out this summer, it’s refreshing to read a book unapologetically dedicated to the fulfillment of single life” (Vogue). No One Tells You This is an “honest” (Huffington Post) reckoning with modern womanhood and “a perfect balance between edgy and poignant” (People)—an exhilarating journey that will resonate with anyone determined to live by their own rules.