This compelling and vivid novel - the first in the 'Journey into Eta' trilogy - follows the trials of Hagio and the 'Leave-Takes' in the Ancient Greek world.

The Leave-Takers is a twenty-first-century American love story and a tale of internal migration to the Great Plains.

A new play about the conflict between a West-Indian woman and her English-born daughters.

From the author of The Hunger—hailed by Stephen King as “deeply, deeply disturbing, hard to put down”—comes a hauntingly atmospheric tale filled with alchemy, lust, and betrayal. True love can last an eternity…but immortality comes at a price. On the midnight shift at a hospital in rural Maine, Dr. Luke Findley is expecting another quiet evening of frostbite and the occasional domestic dispute. But the minute Lanore McIlvrae—Lanny—enters his ER, she changes his life forever. A mysterious woman with plenty of dark secrets, Lanny is unlike anyone Luke has ever met. He is inexplicably drawn to her…despite the fact that she is a murder suspect with a police escort. As she begins to tell her story, Luke finds himself utterly captivated. Her impassioned account begins at the turn of the 19th century in the same small town of St. Andrew, Maine, back when it was a Puritan settlement. Consumed as a child by her love for the founder’s son, Jonathan, Lanny will do anything to be with him. But the price she pays is steep—an immortal bond that chains her to a terrible fate for all eternity. And now, two centuries later, the key to her healing and her salvation lies with Dr. Luke Findley. Part historical novel, part supernatural page-turner, The Taker is a “mesmerizing” (Booklist, starred review) story about the power of unrequited love not only to elevate and sustain, but also to blind and ultimately destroy.

Where do the disappeared go? The girls and women who vanish, seldom to resurface. Allen Kimbo, a freelance reporter, believes there is a network of men who guard their “taken” and keep the silence that surrounds such deeds. An email lures him to Eastern Europe, to a meeting of the Takers and Keepers. His girlfriend, Emily, pleads with him not to go. In Belgrade more is revealed than he had thought possible. Back at home, Emily is missing.

American soldiers overseas during World War II were famously said to be “overpaid, oversexed, and over here.” But the assaults, rapes, and other brutal acts didn’t only happen elsewhere, far away from a home front depicted as safe and unscathed by the “good war.” To the contrary, millions of American and Allied troops regularly poured into ports like New York and Los Angeles while on leave. Euphemistically called “friendly invasions,” these crowds of men then forced civilians to contend with the same kinds of crime and sexual assault unfolding in places like Britain, France, and Australia. With unsettling clarity, Aaron Hiltner reveals what American troops really did on the home front. While GIs are imagined to have spent much of the war in Europe or the Pacific, before the run-up to D-Day in the spring of 1944 as many as 75% of soldiers were stationed in US port cities, including more than three million who moved through New York City. In these cities, largely uncontrolled soldiers sought and found alcohol and sex, and the civilians living there—women in particular—were not safe from the violence fomented by these de facto occupying armies. Troops brought their pocketbooks and demand for “dangerous fun” to both red-light districts and city centers, creating a new geography of vice that challenged local police, politicians, and civilians. Military authorities, focused above all else on the war effort, invoked written and unwritten legal codes to grant troops near immunity to civil policing and prosecution. The dangerous reality of life on the home front was well known at the time—even if it has subsequently been buried beneath nostalgia for the “greatest generation.” Drawing on previously unseen military archival records, Hiltner recovers a mostly forgotten chapter of World War II history, demonstrating that the war’s ill effects were felt all over—including by those supposedly safe back home.

Leslie Albrecht Huber's ancestors were journey takers, leaving theirhomes in Germany, Sweden, and England behind to sail to the USand start new lives here. Huber sets out to trace these journeys and tounderstand her family - who they were and what mattered to them. As shefollows in their footsteps, walking the paths they walked and looking overthe land they farmed, she finds herself on a journey she hadn't expected.Based on thousands of hours of research, Huber recreates the immigrationexperience in a way that captures both its sweeping historical breadth andits intimately personal consequences.