With piercing clarity and craftsmanship, Mary Oliver has fashioned an unforgettable poem of questioning and discovery, about what is observable and what is not, about what passes and what persists. As the U.S. Poet Laureate, Stanley Kunitz, has said: "Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations." The Boston Globe has called Mary Oliver "a great poet . . . she is amazed but not blinded." And the Miami Herald has said: "The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable."

The long-awaited second collection by a central literary figure, Columbia University professor, and poetry editor of the Boston Review.

The New York Times-bestselling collection of poems from celebrated poet Mary Oliver In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

Emily Arsenault (The Rose Notes) makes her YA debut with a “page-ripping whodunit” about Marnie Wells, who comes face-to-face with the occult when she discovers her ability to read tea leaves might help solve the mystery of a classmate's disappearance. Marnie Wells knows that she creeps people out. It’s not really her fault; her brother is always in trouble, and her grandmother, who’s been their guardian since Mom took off is . . . eccentric. So no one even bats an eye when Marnie finds an old book about reading tea leaves and starts telling fortunes. The ceremony and symbols are weirdly soothing, but she knows—and hopes everyone else does too—that none of it’s real. Then basketball star Matt Cotrell asks for a reading. He’s been getting emails from someone claiming to be his best friend, Andrea Quinley, who disappeared and is presumed dead. And while they’d always denied they were romantically involved, a cloud of suspicion now hangs over Matt. But Marnie sees a kindred spirit: someone who, like her, is damaged by association. Suddenly, the readings seem real. And, despite the fact that they’re telling Marnie things about Matt that make him seem increasingly dangerous, she can’t shake her initial attraction to him. In fact, it’s getting stronger. And that could turn out to be deadly.

The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

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One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.