Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

To understand fully the development of Latin poetry, one has to consider not only the prominent figures whose works survive entire but also the writers known to us only in fragments, usually small, from quotations. The fragments of the non-dramatic poets have been collected by Baehrens, Morel,and Buchner, but only a few have ever received a commentary. This book revises the texts, taking advantage of much earlier work now largely forgotten, and provides the necessary interpretative and illustrative material. By building up, wherever possible, a picture of each writer, Professor Courtneyplaces them in relation to the development of Latin poetry and thus gathers together information at present widely scattered and not easy to locate. While omitting some material which does not contribute to the focus of the book, he adds some writers not usually included in this corpus -particularly Tiberianus, the so-called De Bello Actiaco and the minor works of Ennius.

This is a book about poetry, language, and classical antiquity, and explains to the reader with little or no Latin how the language works as a unique vehicle for poetic expression. Fitzgerald guides the reader through samples of Latin poetry to give a sense of how the individual poems feel in Latin and what makes Latin poetry worth reading.

Before the invention of printing, all forms of writing were done by hand. For a literary text to circulate among readers, and to be transmitted from one period in time to another, it had to be copied by scribes. As a result, two copies of an ancient book were different from one another, and each individual book or manuscript has its own history. The oldest of these books, those that are the closest to the time in which the texts were composed, are few, usually damaged, and have been often neglected in the scholarship. Ancient Latin Poetry Books presents a detailed study of the oldest manuscripts still extant that contain texts by Latin poets, such as Virgil, Terence, and Ovid. Analyzing their physical characteristics, their script, and the historical contexts in which they were produced and used, this volume shows how manuscripts can help us gain a better understanding of the history of texts, as well as of reading habits over the centuries. Since the manuscripts originated in various places of the Latin-speaking world, Ancient Latin Poetry Books investigates the readership and reception of Latin poetry in many different contexts, such schools in the Egyptian desert, aristocratic circles in southern Italy, and the Christian élite in late antique Rome. The research also contributes to our knowledge about the use of writing and the importance of the written text in antiquity. This is an innovative approach to the study of ancient literature, one that takes the materiality of texts into consideration.

In this collection, esteemed poet and translator David R. Slavitt brings to life John Milton’s Latin poetry with deft, imaginative modern English translations. While Milton is recognized as one of the most learned English poets in history, his Latin poetry is less well known. Slavitt’s careful rendering brings Milton’s Latin poems—many written in his late teens—into the present. He keeps true to the style of the originals, showing Milton’s maturing poetic voice and the freedom he found working in Latin. On the Gunpowder Plot O, sly Guy Fawkes, you plotted against your king and the British lords, but did you intend to be kind and make up for your malice in this thing with at least a show of piety? Do we find an intention, perhaps, of sending the members of court up to the sky in a chariot made of fire the way Elijah traveled. Or do I distort the simple wickedness of your desire? Featuring an introduction by Gordon Teskey, this comprehensive English-language collection of Milton’s Latin poems pays due respect to a master. Poetry lovers, Milton fans, and scholars of either will welcome, enjoy, and learn from this work.

Thomas Campion, Milton, Crashaw, Herbert, Bourne, Walter Savage Landor – all these poets, between them spanning the period from the Elizabethan to the Victorian age, wrote a substantial body of Latin verse in addition to their better-known English poetry, representing part of the vast and almost unexplored body of Neo-Latin literature which appealed to an international reading public throughout Europe. The Latin poetry of these English poets is of particular interest when it is set against the background of their writings in their own tongue: this collection examines the extent to which our judgment of a poet is altered by an awareness of his Latin works. In some we find prefigured themes which were later treated in their English verse; others wrote Latin poetry throughout their lives and give evidence in their Latin poetry of interests which do not find expression in their English compositions. This volume is a valuable resource for students of both Latin and English literature.