Robert Alexander Stewart Macalister's book, 'The Latin & Irish Lives of Ciaran,' delves into the hagiography of one of Ireland's most revered saints, St. Ciaran of Clonmacnoise. Through the comparison of Latin and Irish sources, Macalister offers a comprehensive analysis of the life and miracles of St. Ciaran, shedding light on the cultural and religious significance of this early Irish saint. The book is meticulously researched and presented in a scholarly yet accessible manner, making it a valuable resource for students and scholars of early Irish history and hagiography. Macalister's blend of linguistic expertise and historical insight brings new depth to the study of St. Ciaran's life and legacy. Robert Alexander Stewart Macalister, a prominent Celtic scholar and archaeologist, dedicated much of his career to studying ancient Irish texts and monuments. His passion for the preservation and interpretation of early Irish history is evident in 'The Latin & Irish Lives of Ciaran,' where he skillfully combines his knowledge of language, history, and archaeology to paint a vivid portrait of St. Ciaran and the world in which he lived. I highly recommend 'The Latin & Irish Lives of Ciaran' to anyone interested in early Irish history, hagiography, or the intersection of language and culture. Macalister's thorough research and insightful analysis make this book a must-read for those looking to deepen their understanding of Ireland's rich religious heritage.

"Ecclesiastical Vestments" by Robert Alexander Stewart Macalister. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Virgil's Georgics depicts the world and its peoples in great detail, but this geographical interest has received little detailed scholarly attention. Hundreds of years later, readers in the British empire used the poem to reflect upon their travels in acts of imagination no less political than Virgil's own. Virgil's Map combines a comprehensive survey of the literary, economic, and political geography of the Georgics with a case study of its British imperial reception c. 1840–1930. Part One charts the poem's geographical interests in relation to Roman power in and beyond the Mediterranean; shifting readers' attention away from Rome, it explores how the Georgics can draw attention to alternative, non-Roman histories. Part Two examines how British travellers quoted directly from the poem to describe peoples and places across the world, at times equating the colonial subjects of European empires to the 'happy farmers' of Virgil's poem, perceived to be unaware, and in need, of the blessings of colonial rule. Drawing attention to the depoliticization of the poem in scholarly discourse, and using newly discovered archival material, this interdisciplinary work seeks to re-politicize both the poem and its history in service of a decolonizing pedagogy. Its unique dual focus allows for an extended exploration, not just of geography and empire, but of Europe's long relationship with the wider world.

Gerald of Wales was among the most dynamic and fascinating churchmen of the twelfth century. A member of one of the leading Norman families involved in the invasion of Ireland, he first visited there in 1183 and later returned in the entourage of Henry II. The resulting Topographia Hiberniae is an extraordinary account of his travels. Here he describes landscapes, fish, birds and animals; recounts the history of Ireland's rulers; and tells fantastical stories of magic wells and deadly whirlpools, strange creatures and evil spirits. Written from the point of view of an invader and reformer, this work has been rightly criticized for its portrait of a primitive land, yet it is also one of the most important sources for what is known of Ireland during the Middle Ages.

This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures.