In this final installment in the trilogy that begins with his award-winning "A New Kind Of Christian," McLaren tells an intriguing fictional tale that raises urgent questions about hell and what it means for the Christian view of God.

For all those seeking more authentic ways to hold and practice Christian faith, Brian McLaren has been an inspiring, compassionate—and provocative—voice. Starting with the award-winning A New Kind of Christian, McLaren offered a lively, wide-ranging fictional conversation between Pastor Dan Poole and his friend Neil Oliver as they reflected about faith, doubt, reason, mission, leadership, and spiritual practice in the emerging postmodern world. That conversation widened to include several intriguing new characters in the sequel, The Story We Find Ourselves In, as Dan and friends continued to explore faith-stretching themes from evolution to evangelism, from death to the meaning of life. Now, in this third installment of their adventures, Dan and his widening circle of friends grapple with conventional Christian teachings about hell and judgment and what they mean for our relationship with God and each other. Is there an alternative to the usual polar views of a just God short on mercy or a merciful God short on justice? Could our conflicted views of hell be symptoms of a deeper set of problems – misunderstandings about what God’s justice and mercy are about, misconceptions about God’s purpose in creating the world, deep misgivings about what kind of character God is and what the Christian gospel is for?

The dictionary as narrator? YES! Calvin's dictionary is proud to be carried everywhere Calvin goes--the breakfast table, school, baseball practice, and home again--because Calvin is determined to find the perfect word to attach to his annoying older brother. The word isn’t exactly revenge, mayhem, bewilderment, subterfuge, pulverize, or even retaliation, though all those words are so close and very tempting. When Calvin finally finds the right word for his rascally brother, his dictionary is surprised and delighted, and readers will enjoy celebrating the triumphant discovery of Calvin's perfect word along with his dictionary.

The Last Word by N. T. Wright has descriptive copy which is not yet available from the Publisher.

Originally published: Great Britain: Faber and Faber, 2014.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.