In his impressive and confident debut, Michael Wiley delivers a thrilling tale about how greed and revenge play out on the streets of Chicago. Private eye Joe Kozmarski has just been asked to clear his childhood friend Bob Piedras of murder. Bob's latest girlfriend, a young Vietnamese-American beauty, has turned up dead in an airport hotel. No one's very surprised. She had a taste for hard liquor, drugs, and stripping in front of a camera. And Bob has a history of violence. But Bob's boss, retired judge Peter Rifkin, is convinced Bob is innocent and he thinks Joe is the one to find the real killer. But Joe's life is complicated. He hasn't spoken to Rifkin for fifteen years---ever since his father, now dead, found out that the judge had double-crossed him. The dead woman's brothers, a pair of tough guys, are bent on being the first to find and punish her murderer. On top of that, Joe and his wife have separated and his mother has dropped his eleven-year-old nephew on him. But the more obstacles Joe encounters, the more determined he becomes to see this case through. Since its beginning, the PWA/SMP Best First Private Eye Novel Contest has accomplished its mission of finding amazing new talent in mystery writing. With vividly realized characters and a page-turning story line, The Last Striptease is the latest in what has become a long tradition of excellent crime fiction.

Famed photographer Sheryl Nields brings burlesque superstar Dita Von Teese to life in a series of flip books that capture the dancer′s most intimate performances. A perfect collectible book for fans of Dita, classic burlesque devotees, or for anyone who loves a playful and beautifully packaged book, DITA: STRIPTEASE is an exquisite visual tribute to this one-of-a-kind performer, featuring three of her most beloved dances: Martini Glass Show: Performed all over the world, the martini glass show is Dita′s most famous burlesque act. Featuring her in her "Diamonds in the Buff" costume, Dita performs a traditional striptease that culminates with her bathing herself in an oversize martini glass, complete with olive sponge. Bird of Paradise Show: Inside a posh gilded Victorian birdcage, burlesque′s brightest star reinvents the classic feather fan dance with two lush oversize feather fans of exotic, rare magenta pheasant feathers. In an extraordinary costume of beautifully curved feathers, Dita spins around on her golden perch, and treats audiences to an unforgettable wet and wild finale as sparkling water showers over her body. Classic Striptease: This striptease features Dita dressed in a vintage suit complete with a veiled hat, seamed stockings, and sky-high stilettos. Audiences get a glimpse into Dita′s personal wardrobe-and what she reveals underneath it!

This first complete history of a century of striptease is filled with rare photographs and period illustrations.

From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Striptease Culture is divided in to three sections: * Part one - traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic' * Part two - considers popular cultural forms of sexual representation in the media, moving from backlash elements in straight male culture and changing images of women, to the representation of gays in contemporary film and television * Part three - looks at the use of sexuality in contemporary art, examinging the artistic 'striptease' of Jeff Koons, and others who have used their own naked bodies in their work. Also considering how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy, the high profile of sexuality as a key contributor to public health education in the era of HIV and AIDS, and the implications of the rise of striptease culture for the future of sexual poltics, Brian McNair has produced an excellent book in the study of gender, sexuality and contemporary culture.

A large number of political plays have been written in Israel over the past fifty years, and they are perceived, by audiences and critics alike, as major interventions in the country's ongoing political debates; the result is that Israeli drama is at the centre of many public controversies. In this first full-length study of Israeli political drama Glenda Abramson shows that during the early years of the State of Israel most of its intellectuals were identified with the 'official' state interpretation of Zionism. After the Six-Day War in 1967 an influential group of playwrights, concerned with the evolution of Zionist ideology in the modern nation state, began to question the ethical basis of Zionism. Hanokh Levin, Yehoshua Sobol, Yosef Mundi, Miriam Kainy, Amos Kenan and others have gone on to examine Zionism as it affects contemporary Israeli society.

The essential handbook for writers of whodunits, techno- thrillers, cozies, and everything in between-featuring never-before- published personal writing exercises from some of today's bestselling and award-winning mystery writers. Now Write! Mysteries, the fourth volume in the acclaimed Now Write! writing guide series, brings together numerous bestselling authors-including winners of and nominees for the Edgar, Hugo, and Shamus awards,-for the definitive guide to writing mysteries, thrillers, and suspense stories. Now Write! Mysteries teaches you everything you've ever wanted to know about crafting a page-turning mystery-from creating a believable detective hero (or terrifying villain), to using real-life cutting-edge investigative techniques to bring your story to life-with practical exercises taken directly from the pros: Discover the best techniques for seamlessly integrating action into your story with John Lutz, New York Times-bestselling author of Urge to Kill, Night Kills, and Serial. Learn how to fine-tune your sense of place and setting with Louise Penny, New York Times-bestselling author of the Armand Gamache mysteries. Take advice from Lorenzo Carcaterra, author of Sleepers and writer/producer for Law & Order, on how to compose a scene that lives up to your character's backstory. Let Marcia Talley, Agatha- and Anthony-winning author of the Hannah Ives mysteries, show you how to build a memorable, engaging detective. (Hint: It's not about making him flawless.) Others included are: Simon Brett, Hallie Ephron, Meg Gardiner, Peter James, Christopher G. Moore, Michael Sears, and many others. No other mystery-writing guide offers the road tested wisdom of so many award-winners and bestselling authors in one place.

The thirteen chapters in this book are derived from the First International Conference on Jewish Humor held at Tel-Aviv University. The authors are scientists from the areas of literature, linguistics, sociology, psychology, history, communications, the theater, and Jewish studies. They all try to understand different aspects of Jewish humor, and they evoke associations, of a local-logical nature, with Jewish tradition. This compilation reflects the first interdisciplinary approach to Jewish humor. The chapters are arranged in four parts. The first section relates to humor as a way of coping with Jewish identity. Joseph Dorinson's chapter underscores the dilemma facing Jewish comedians in the United States. These comics try to assimilate into American culture, but without giving up their Jewish identity. The second section of the book deals with a central function of humor--aggression. Christie Davies makes a clear distinction between jokes that present the Jew as a victim of anti-Semitic attacks and those in which the approach is not aggressive. The third part focuses on humor in the Jewish tradition. Lawrence E. Mintz writes about jokes involving Jewish and Christian clergymen. The last part of the book deals with humor in Israel. David Alexander talks about the development of satire in Israel. Other chapters and contributors include: -Psycho-Social Aspects of Jewish Humor in Israel and in the Diaspora- by Avner Ziv; -Humor and Sexism: The Case of the Jewish Joke- by Esther Fuchs; -Halachic Issues as Satirical Elements in Nineteenth Century Hebrew Literature- by Yehuda Friedlander; -Do Jews in Israel still laugh at themselves?- by O. Nevo; and -Political Caricature as a Reflection of Israel's Development- by Kariel Gardosh. Each chapter in this volume paves the way for understanding the many facets of Jewish humor. This book will be immensely enjoyable and informative for sociologists, psychologists, and scholars of Judaic studies.