Earth has unfolded. Reality has stretched out into its more true and more terrible shape. Now, an insane cowgirl stalks the prairie in search of her missing brother... while a heartbroken lover confronts the creature masquerading as his stolen house. A refugee from a lost dimension ponders the impossible existence of cheese, and there's just another guy with a whole planet for a head. The Last Sane Cowboy & Other Stories collects Daniel Merlin Goodbrey's Isotope Award-winning short story alongside five other surreal tales of life... and death on the Unfolded Earth.

From automatons to zombies, many elements of fantasy and science fiction have been cross-pollinated with the Western movie genre. In its second edition, this encyclopedia of the Weird Western includes many new entries covering film, television, animation, novels, pulp fiction, short stories, comic books, graphic novels and video and role-playing games. Categories include Weird, Weird Menace, Science Fiction, Space, Steampunk and Romance Westerns.

Dive into the American West with Bret Harte's collection of short stories. Capturing the essence of the 19th-century frontier, these tales blend humor, drama, and poignant moments. From rugged landscapes to the diverse characters that inhabit them, Harte paints a vivid picture of a bygone era.

The four stories and novella translated in this volume represent the best short fiction by Ishikawa Jun (1899-1987), one of the most important modernist writers to appear on the Japanese literary stage during the years before and after World War II. Throughout his career, Ishikawa resisted the tide of popular opinion to address issues of political and artistic significance and thereby paved the way for a generation of Japanese internationalists and experimentalists, including Abe Kobo and Oe Kenzaburo. Highly acclaimed and respected in Japan, Ishikawa remains little known in the West-in part because of the tendency of Western critics and readers of Japanese literature to focus on writers concerned with aesthetic issues. Combining a strong interest in politics with a brilliant use of modernist techniques, Ishikawa's work defies easy categorization. Banned in 1938, "Mars' Song" has been called the finest example of anti-war fiction written during Japan's march to war in China and the Pacific. In it Ishikawa denounces the chorus of jingoism that swept Japan, and via a metafictional tale within a tale, he warns against the suicidal destruction to which complicity in warmongering will lead. The allegorical "Moon Gems," written in the spring of 1945, further explores the tenuous position of the writer moving against the current in a country not only still at war but very near defeat. In "The Legend of Gold" and "The Jesus of the Ruins," both from 1946, Japan has been reduced to a charred wasteland yet Ishikawa envisions destruction as fertile ground for rebirth and resurrection. Finally, the semi-surrealistic novella The Raptor plumbs the meanings and possibilities of peace in the post-Occupation era. William Tyler's eminently readable translations are faithfully expressive of stylistic and tonal nuances in the original works. In a perceptive introduction and the critical essays that follow, Tyler emphasizes Ishikawa's importance as an anti-establishment--even "resistance"--writer and argues that the writer's political iconoclasm goes hand-in-hand with the modanizumu of his literary experimentation. The Legend of Gold will be of tremendous importance in enlarging a Western understanding of the development of the writer's role as social critic and the evolution of the modernist movement in postwar Japan.

Doctor Storm looked at Mr. Haymaker as though he were very sorry for him—an old man long accustomed to his wife’s ways and likely to be made very unhappy by her untimely end; whereas Mr. Haymaker, though staring in an almost sculptural way, was really thinking what a farce it all was, what a dull mixture of error and illusion on the part of all. Here he was, sixty years of age, weary of all this, of life really—a man who had never been really happy in all the time that he had been married; and yet here was his wife, who from conventional reasons believed that he was or should be, and who on account of this was serenely happy herself, or nearly so. And this doctor, who imagined that he was old and weak and therefore in need of this loving woman’s care and sympathy and understanding! Unconsciously he raised a deprecating hand....FROM THE BOOKS.

"Worlds collide when a broke cowboy and a glamorous big city reporter fall lipstick over boot heels in love. But she carries a 2,000-year old secret in her veins that will test their unusual romance. Saddle up for a hilarious, existential gallop through the dying west with an army of ancient bloodsuckers in hot pursuit" -- Back cover.