An extraordinary chronicle of war and an occult story of love between a father and his son from one of Iraq’s most celebrated contemporary writers “Whenever he told lies, the birds would fly away. It had been that way since he was a child. Whenever he told a lie, something strange would happen.” So begins Bachtyar Ali’s The Last Pomegranate, a phantasmagoric warren of fact, fabrication, and mystical allegory, set in the aftermath of Saddam Hussein’s rule and Iraq’s Kurdish conflict. Muzafar-i Subhdam, a peshmerga fighter, has spent the last twenty-one years imprisoned in a desert yearning for his son, Saryas, who was only a few days old when Muzafar was captured. Upon his release, Muzafar begins a frantic search, only to learn that Saryas was one of three identical boys who became enmeshed in each other’s lives as war mutilated the region. An inlet to the recesses of a terrifying historical moment, and a philosophical journey of formidable depths, The Last Pomegranate interrogates the origins and reverberations of atrocity. It also probes, with a graceful intelligence, unforgettable acts of mercy.

'It wasn't even a proper diary ... no dates or days or even 365 pages. But after this morning I'd be surprised to make it to the end of the week - so seven pages would be plenty. As we sat in the little courtyard listening to the gunfire in the streets below us, I started to write ... In the summer of 2014 a black plague swept across Syria, a killer cult spreading misery and murder. Sitting in the shade of the Pomegranate Tree, we meet Dilvan, a young Kurdish girl. Through the pages of her diary, we follow her quest to find her family with a determination to fight, maybe even to die - but never to surrender.

“Tariq Ali captures the humanity and splendor of Muslim Spain . . . real history as well as fiction . . . a book to be relished and devoured” (The Independent). The savagery of the Reconquest tore apart the world of the Banu Hudayl family. For the doomed Muslims of late-fifteenth-century Spain, the approaching forces of Christendom bring not peace but the sword. Capturing the brutality of a war both military and cultural—and the price paid by the innocent—Tariq Ali opens his Islam Quintet with a harrowing and profound historical fiction.

In ancient Ammon, a sheltered young woman fleeing her rich and powerful father’s plans for her marriage is thrust into a violent world in which her only tools – or weapons – are her knowledge of plants and healing. Under the Pomegranate Tree is a stand-alone historical novel, but does contain a character featured in the author's historical novel Judith, which is based on the apocryphal Book of Judith.

Five nuanced and powerful historical novels depicting the clashes among Muslims, Christians, and Jews from the Crusades to twenty-first-century London. Celebrated British-Pakistani journalist and author Tariq Ali takes a mind-expanding journey through the ages with these five acclaimed works of fiction, available now in one collection. Shadows of the Pomegranate Tree: “Ali captures the humanity and splendor of Muslim Spain” in “an enthralling story, unraveled with thrift and verve” (The Independent). For the doomed Moors, the fall of Granada and the approaching forces of Christendom bring not peace but the sword. The Book of Saladin: After Saladin reclaims the holy city of Jerusalem from the Crusaders, he turns to a Jewish scribe to record his story, which Edward Said calls “a narrative for our time, haunted by distant events and characters who are closer to us than we had dreamed.” The Stone Woman: “Ali paints a vivid picture of a fading world,” proclaims the New York Times Book Review, as a distant descendant of an exiled Ottoman courtier suffers a stroke in Istanbul, and his family rushes to his side to hear his last stories. A Sultan in Palermo: In “a marvelously paced and boisterously told novel of intrigue, love, insurrection and manipulation,” cartographer Muhammad al-Idrisi is caught between his friendship with King Roger of Sicily and the resentments of his fellow Muslims (The Guardian). Night of the Golden Butterfly: A Lahore-born writer living in London is called back to his homeland by an old friend who, at seventy-five, has finally fallen in love. “If Pakistan is a land of untold stories,” writes the New Statesman, Ali is “the country’s finest historian and critic.”

A cult classic by Morocco’s foremost writer of life on the margins. Malika Moustadraf (1969–2006) is a feminist icon in contemporary Moroccan literature, celebrated for her stark interrogation of gender and sexuality in North Africa. Blood Feast is the complete collection of Moustadraf’s published short fiction: haunting, visceral stories by a master of the genre. A teenage girl suffers through a dystopian rite of passage​,​ a man with kidney disease makes desperate attempts to secure treatment​, and a mother schemes to ensure her daughter passes a virginity test. Delighting in vibrant sensory detail and rich slang, Moustadraf takes an unflinching look at the gendered body, social class, illness, double standards, and desire, as lived by a diverse cast of characters. Blood Feast is a sharp provocation to patriarchal power and a celebration of the life and genius of one of Morocco’s preeminent writers.

A children’s poet and an acclaimed illustrator pair “luscious rhymes and an atmospheric eeriness" in this playful tale of neighborhood battle (Publishers Weekly, starred review). When a scary old tree blooms with the most beautiful pomegranates ever seen, the neighborhood kids’ mouths water with anticipation. But the tree isn’t theirs—and it has a protector! So begins the Pomegranate War, a rollicking contest of wills between the plucky young rascals and their wry, witchy neighbor who has more than a few tricks up her sleeve. A delightful rhyming tale that culminates in a grand Halloween surprise, The Pomegranate Witch honors classic children's literature and revels in nostalgia for free-to-roam days full of playful invention.