"Bravo, Mr. Finch, and keep them coming! More Lenox, please." —Louise Penny, bestselling author of A Better Man From bestselling author Charles Finch comes the third and final in a prequel trilogy to his lauded Charles Lenox series. London, 1855. A young and eager Charles Lenox faces his toughest case yet: a murder without a single clue. Slumped in a third-class car at Paddington Station is the body of a handsome young gentleman. He has no luggage, empty pockets, and no sign of identification on his person. And putting together the clues to the mystery of the man’s identity only raises more questions, when Lenox discovers that the crime has a significant connection to America. As he seeks to solve this impossible case, the young Lenox must confront an equally troublesome problem in his personal life. Kitty Ashbrook, beautiful and cultured, appears to be his soulmate—but love comes with obstacles of its own. In tandem, this fiendish early case and passionate, deeply felt affair will irrevocably shape the brilliant detective and thoughtful gentleman Lenox is destined to become. Written in Charles Finch’s unmistakably witty and graceful voice, The Last Passenger is a cunning, thrilling, and deeply satisfying conclusion to this trilogy of prequels to his bestselling Charles Lenox series.

The Last Passenger is an explosive and engrossing novel that belongs to the psychological thriller sub-genre where suspense, mystery, and supernaturalism complement each other in perfect harmony. Taking place in the background of an almost interminable train trip, the story is about Claire, a woman suffering from post-traumatic stress disorder due to a train crash she witnessed years before. Late one day she takes a train and it is very strange when she sees herself being the only passenger in the train, and the train starts moving on the track She is taken through an Ordeal which brings her face to face with her greatest fear and secret guilt. The train becomes a version of purgatory where Claire has to find out what happened in order to get out of the mystery and deal with the apparitions of the supernatural world. The Last Passenger is filled with tension, in scene and color; in daring, graphic description, and a suffocating sense of impending doom; it is a novel of survival, guilt, and the relentless karma that is the past. The kind of narrative that will give readers heart palpitations, their heads spinning about what is actual and what is strictly unreal by the story’s end.

Reporter Kate Kilroy accepts an assignment to travel on the Valkyrie, a German ship veiled in secrecy for decades after it was discovered adrift in 1939 with only one passenger aboard, a baby boy named Isaac Feldman. Obsessed with understanding his origins, Feldman has spent a small fortune restoring the Valkyrie to try to solve the mystery. Assembling a team of experts and sparing no expense, he aims to precisely recreate the circumstances of the Valkyrie's doomed final voyage. Little does Feldman or his team know that the ship has an agenda of its own. As the Valkyrie begins to weave its deadly web, Kate realizes that she must not only save herself, but the world as she knows it.

Based on the real-life events that triggered the greatest mass extinction in modern history – the end of the passenger pigeon – Martha takes budding readers on a grand adventure through a magical world complete with mystic owls, tom-fooling mice and a little straw-haired boy who protects the last living passenger pigeon on the planet from the evil Patsy Brothers. Born with a bum leg, Martha is pushed out of her nest just minutes after her birth. It’s all part of the Seven Cycles of Nature. But since the arrival of the Iron Horse, the Seven Cycles of Nature have been disrupted and the Great Owls know they need to do something to restore balance to their world. They decide to save Martha. Little do they know that Martha may one day, in her small way, save humanity.

Violin prodigy Etta Spencer had big plans for her future, but a tragic accident has put her once-bright career at risk. Closely tied to her musical skill, however, is a mysterious power she doesn't even know she has. When her two talents collide during a stressful performance, Etta is drawn back hundreds of years through time. Etta wakes,confused and terrified, in 1776, in the midst a fierce sea battle. Nicholas Carter, the handsome young prize master of a privateering ship, has been hired to retrieve Etta and deliver her unharmed to the Ironwoods, a powerful family in the Colonies—the very same one that orchestrated her jump back, and one Nicholas himself has mysteries ties to. But discovering she can time travel is nothing compared to the shock of discovering the true reason the Ironwoods have snared her in their web. Another traveler has stolen an object of untold value from them, and, if Etta can find it, they will return her to her own time. Out of options, Etta and Nicholas embark on a perilous journey across centuries and continents, piecing together clues left behind by the mysterious traveler. But as they draw closer to each other and the end of their search, the true nature of the object, and the dangerous game the Ironwoods are playing, comes to light—threatening to separate her not only from Nicholas, but her path home... forever.

"Caz Ripley, a cafe owner from a small, ordinary town, boards the RMS Atlantica with her boyfriend Pete and a thousand fellow passengers destined for New York. The next morning, she wakes to discover that everyone else on board has disappeared. And that's just the beginning. Caz must prepare for a crossing that will be anything but plain sailing ..."--Publisher.

A BEST BOOK OF 2021 FOR THE GUARDIAN * FINANCIAL TIMES * TIMES LITERARY SUPPLEMENT * MINNEAPOLIS STAR TRIBUNE * THE TIMES Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train. And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly. Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.