"This story is not strictly a memoir ...it is also a history and analysis of the cultural and political forces that confronted the first and second generation Mexican Americans in San Bernardino, CA, my home town."--Title page.

Two youngsters smuggled a fifth of Bacardi across the Mexican border into the United States. They became intoxicated and a violent scuffle broke out at a football game and one of the youths was badly injured. And the perpetrator was arrested for assault. The court sentenced the youngster to reform school. There he incurred a testicular injury while trying to protect another youngster from a sexual assault. The injury healed, but the effects were long lasting. He tried to conceal his condition. Sexual issues followed the young man into his first marriage. Misfortune continued to plague the young man. His lovely wife was killed in a traffic accident. Upon recovery from his grief, he moved on to another relationship and received an unwelcome surprise. The sterility which had caused so much anguish in his life, was replaced by an unexpected pregnancy. The girl in question came from a strict Mexican American family who would not appreciate a illegitimate child. Some efforts were made to abort the child, but in vain. Nature did not forget the aborting efforts. A son was born horribly deformed. The child lived for thirty long days. His demise was a welcome relief, but the impact would take years to overcome. The marriage dissolved, but the memory still lingers. And it all came from an illegal bottle of Bacardi.

Widely considered one of the most important voices in the Chicano literary canon, José Antonio Burciaga was a pioneer who exposed inequities and cultural difficulties through humor, art, and deceptively simple prose. In this anthology and tribute, Mimi R. Gladstein and Daniel Chacón bring together dozens of remarkable examples of Burciaga’s work. His work never demonstrates machismo or sexism, as he believed strongly that all Chicano voices are equally valuable. Best known for his books Weedee Peepo, Drink Cultura, and Undocumented Love, Burciaga was also a poet, cartoonist, founding member of the comedy troupe Cultura Clash, and a talented muralist whose well-known work The Last Supper of Chicano Heroes became almost more famous than the man. This first and only collection of Burciaga’s work features thirty-eight illustrations and incorporates previously unpublished essays and drawings, including selections from his manuscript “The Temple Gang,” a memoir he was writing at the time of his death. In addition, Gladstein and Chacón address Burciaga’s importance to Chicano letters. A joy to read, this rich compendium is an important contribution not only to Chicano literature but also to the preservation of the creative, spiritual, and political voice of a talented and passionate man.

Annual journal of analysis and commentary on the U.S. socialist and progressive movements for change. The theme of this issue is: 'After the 2012 Election: Strategy and Organizing against Racism and the Right.' 20 articles. Editor: Harry Targ.

This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.

Illusion and the possibility of magic coexist with the pain and joy of daily life in these compelling pieces mostly set in the Texas-Mexico border region. In one, a girl desperately wants to know more about her mother, who died when she was four years old. Did she like being a mom? Would she have preferred partying with her friends? When her eccentric aunt says she can teach her how to travel back in time, the girl is skeptical. Is it really possible to visit the past and communicate with the dead? Each story is a celebration of the narrative’s power to transport, enlighten and connect the reader to the myriad facets of the human experience. In “Borges and the Chicanx,” a Chicano professor’s imposter syndrome worsens when he is asked to teach a course on a famed Latin American writer he has never read and whose work he doesn’t understand. And in “Sara’s Chest of Drawers,” a young man’s parents insist he go through his dead twin sister’s things even though he doesn’t think she would want him to—until she sends him a sign from the beyond. Dreams, memories, visions and superstitions permeate this collection of short fiction that blends the ordinary with the extraordinary, making the fantastical feel surprisingly tangible. Considering themes of outsider status and displacement, cultural representation and authenticity, identity and collective memory, award-winning author Daniel Chacón once again crafts troubled characters searching for salvation from sorrows they often cannot even articulate.