In The Last of an Age, Sooyong Kim explores the relationship between social change and the development of an Ottoman literary canon in the course of the sixteenth century by examining the work and reception of a popular poet, Zati (1471–1546). Kim argues that a newly emergent group of bureaucratic literati, through the production of authoritative biographical dictionaries, ultimately relegated Zati to a lesser literary age, driven by a self-fashioning that privileged broad linguistic ability, above all else, with poetry serving as the main vehicle for demonstrating that. This study is interdisciplinary in approach, taking insights from literary studies, cultural history, and social theory. It adds to the scholarship on the rise of early modern Ottoman canons in the fields of visual arts and music and complements recent work on court patronage. Framed by ongoing critiques of canon formation among specialists of early modern Europe and late imperial China, the study offers a comparative perspective on those issues.

Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.

FROM THE ASHES OF THE WORLD, A HERO MUST RISE In the not-so-distant future, India has fallen, and the world is on the brink of an apocalyptic war. An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme. From the ashes of this falling world, rises an unconventional hero - a vigilante known only as Kalki. Backed by a secret society called The Rudras, Kalki, along with Nushen, the Chinese superhuman spy, must do the impossible to save his country, and the world.But who is Kalki? A flesh and blood crusader with a mysterious past? Or the Messiah the world has been waiting for? The future of human survival depends on a single man. Will he become the living God prophesied as the last avatar of Lord Vishnu, or will he fade away as an outlaw?

the Circlians have secured victory over the Pentadrian army, but Aurayaᱠsleep remains filled with nightmares of war. And the one person she once loved and trusted, Leiard, has disappeared. When a sickness sweeps through the tribes of the Siyee, the White send Auraya to help them. It is there that she begins to learn the truth about Leiard ...And far to the south, the Pentadrians lick their wounds and set about finding a new leader. their faith unshaken, they are still resolved to convert the heathens of the north.In the aftermath of war, the Priestess is forced to make a terrible choice - the consequences of which could change the world forever.

Peter S. Beagle's beloved fantasy classic captured imaginations around the world and takes on new life in this luscious, fully illustrated graphic novel adaptation. The Last Unicorn is a tale for any age about the wonders of magic, the power of love, and the tragedy of loss. The unicorn, alone in her enchanted wood, learns that she may be the last of her kind. Reluctant at first, she sets out on a journey to discover the fate of her fellow unicorns, even if it means facing the terrifying anger of the Red Bull and the malignant evil of the king who wields its power. Along the way she'll encounter a cast of unforgettable characters, including Schmendrick the magician, the bandit Molly Grue, the noble Prince Lír, and the occasional talking butterfly. Adapted by Peter B. Gillis and lushly illustrated by Renae De Liz and Ray Dillon, The Last Unicorn is simultaneously current and timeless in this newest incarnation.

Table of Contents 1. We Should Be Aware of and Be Loyal to the King of All Kings (Luke 19:12-27) 2. Let Us Thank the Lord for His Grace in Choosing Us (Luke 19:28-40) 3. The Lord Has Need of You (Luke 19:28-40) 4. Let Us Become Those Who Quench the Lord’s Thirst (Luke 19:28-40) 5. Do You Have Hope for the Millennial Kingdom? (Luke 20:27-38) 6. Believe in the Word of God’s Righteousness (Luke 21:5-38) 7. Jesus Is the Almighty God (Luke 22:7-38) 8. Pray to Jesus to Defeat Great Temptations to Come by Faith (Luke 22:39-46) 9. Do Not Weep for Me, but Weep for Yourselves and for Your Children (Luke 23:26-38) 10. He Who Endures to the End Shall Be Saved (Luke 23:26-49) 11. The Resurrected Lord Has Given Us the Hope of Resurrection (Luke 24:13-53) 12. Think of the Work of God (Luke 24:36-53) It is Jesus Christ who moves all the history of this world. Our Lord came to this earth to save us all humans from the sins of the world, and He has also become the bread of new life for those of us who believe in the gospel of the water and the Spirit. In fact, it was to give this new life to us, who were all destined to hell for our sins, that our Lord came looking for you and me. The New Life Mission https://www.bjnewlife.org