This memoir covers the rough-and-tumble career of the powerful editor who challenged America's three most powerful newspapers: "The New York Times, The Washington Post" and the "L.A. Times." In "The Last Editor" Bellows' associates write short takes about their times under his editing hand.

This book examines the struggle between President Obama and the United States Congress to manage federal spending and tax policy for the three and one half years between 2009 and the summer of 2012. More than half the book focuses on the intense 44-day crisis in June and July 2011 when the United States came to the brink of a potentially catastrophic default on its debt."--Note to readers.

Essays by Thomas Frank, Clay Shirky, David Simon, and others: “Anyone concerned about the state of journalism should read this book.” —Library Journal The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn Out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn Out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.

The fourth estate.

Raising money to resurrect the banned school paper brings Adam in contact with some quirky characters in this sharp, funny novel starring the ace middle-grade reporter. (Ages 8-12) A "dirty" school election, suspicious state test scores -- Adam Canfield and his star reporters are chasing some red-hot leads. There’s only one glitch: the school board has shut down THE SLASH for exposing the town’s most powerful family, and now the staff has to find a way to publish it themselves. Enter the Ameche brothers: two goofy kid entrepreneurs with a knack for refurbishing junk -- and a talent for selling ads -- but a shaky command of journalistic ethics. What’s worse, Adam hasn’t a clue why his coeditor, Jennifer, is suddenly acting weird. . . . With kid-friendly humor and a touch of budding romance, this new adventure revisits a winning cast of characters -- and the excitement that comes from uncovering a really great story.

The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.