"Twenty years ago, King Arthur took his last breath in the company of a young knight named Percevale. Ever since then, Percevale has been on a self-imposed mission to find and wreak revenge on Mordred - the man responsible not only for the death of the king but for the collapse of Arthur's once - majestic empire. During his quest, Percevale has led a simple if unfulfilling existence - but now his world is changing in both of those respects. His chance encounter with a young lady named Elaine sets the aging knight off on a path that is exciting and refreshingly different but also forces him to compromise his principles and put his life at stake. The fate of The Last Knight of Albion becomes intertwined with a group of complacent townspeople, an ambitious barbarian king, and a mysterious hermit. By the time his story runs its course, Percevale has finally discovered what is really important in life - and the reader has lived with him through a tale that is much more than just another Arthurian fantasy"--Back cover.

Named to Kirkus Reviews' Best Books of 2016​ A Tale of the Last Knight of the Round Table Seven years after the death of Arthur Pendragon, Sir Percival, the last surviving knight of the Round Table, returns to Albion after a long and futile quest for the Holy Grail. The peaceful and prosperous home that he left a decade earlier is no more. Camelot has fallen, and much of the Pendragon’s kingdom has been subjugated by the evil Morgana and the Norse invaders who once served under her banner. Although the knight desires only to return to his ancestral lands and to live in peace, he vows to pursue one last quest before he rests—to find Guinevere, the Queen of the Britons. This journey will force the knight to travel the length and breadth of Albion, to overcome the most fearsome and cunning of enemies, and to embrace a past that is both painful and magnificent. The Return of Sir Percival is the tale of a knight who seeks peace, but finds only war, of a Queen who has borne sorrow and defeat, but who will not yield, and of a valiant people determined to cast of the yoke of their oppressors. It is also a tale of tragedy and triumph, and of romance lost and then found. The unique vision of the Arthurian world brought to life in S. Alexander O’Keefe’s The Return of Sir Percival takes readers on a journey that is as enthralling as it is memorable.

First published in 1996. Now updated with a new information-packed 40-page Supplement covering the years 1990-1995, this unique Encyclopedia highlights the World of King Arthur from its origins in Dark Age Britain to the present day, when Arthurian novels, films, and music continue to appear around the world at an astonishing rate. The Supplement, which provides five full years of coverage not available anywhere else, enhances the usefulness of more than 1,300 entries on all aspects of the Arthurian legend-in literature, history, folklore, archaeology, art, and music. Written by an international team of over 130 authorities, no oth­er work approaches this A-Z guide to the legends of King Arthur and his knights of the Round Table for breadth and depth of coverage. This is the ultimate source for reliable information on topics as diverse as the Grail, Tristan and Isolde, Lancelot and Guenevere, Arthurian operas, the historicity of Arthur, and more.

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

Cindy Mediavilla annotates over 200 Arthurian novels, specifically focusing upon literature appropriate for young adults. Each entry is assigned an appropriate reading level and contains a detailed description of the book's plot. An index of titles, authors, characters, and specific themes is appended. The intended audience is young adult readers, grades six through high school, and the youth services professionals who serve them.

Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

England, 1460: The War of the Roses. Rival factions - Lancastrians and Yorkists - are hacking each other to death in a conflict that only the English could name after a beautifully-scented flower. It's not an ideal climate for tourists - but three exotic travellers from the Far East are not here for pleasure. They've come to find a missing kinsman. The English, however, are truly strange. Most of the indigenous population are of the cowed peasant variety whilst any noble who can't trace his ancestry to Norman Conquest isn't, really, an awfully nice chap. In between battles of the most astonishing brutality they convey respects instead of affection, make love strangely (and briefly) and amuse themselves by playing a game with an inflated bladder that is in everyway a war except it's called 'footie'. The Indians think they're mad. They also have this horrible suspicion that one day they will rule the world... A wonderfully offbeat take on medieval England at its most brutal and savage, KINGS OF ALBION snatches history, imbues it with the spirit of Rider Haggard and Joseph Conrad, turns it on its head, invites scintillating speculation and, best of all, renders it into a fabulously readable novel.