A New York Times Book Review Editors' Choice • An Indie Next Pick • Named a Most Anticipated and Must-Read Book by BuzzFeed, Book Riot, and Ms. Magazine • One of Washington Independent Review of Books' Favorite Books of 2022 "Vivid . . . Garza's accomplished debut enriches the public imagination of this corner of America, and the communities within." —Melissa Chadburn, The New York Times Book Review (Editors' Choice) A blazing and kaleidoscopic debut about a tight-knit community of Mexican and Filipino American families on the Texas coast from a voice you won't soon forget. Welcome to Galveston, Texas. Population 50,241. Carly Castillo has only ever known Galveston. Her grandmother Magdalena claims that they descend from the Karankawas, an extinct indigenous Texan tribe, thereby tethering them to the land. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave for bigger cities, but he didn’t take them then and he sure as hell won’t now. When word spreads of a storm gathering strength offshore known as Hurricane Ike, each Galveston resident must make a difficult decision: board up the windows and hunker down or flee inland and abandon their hard-won homes. Moving through the extraordinary lives of these characters and the many individuals who circle them, The Last Karankawas weaves together a multitude of voices to present a lyrical, emotionally charged portrait of everyday survival. The result is an unforgettable exploration of familial inheritance, human resilience, and the histories we assign to ourselves.

"Vivid . . . Garza's accomplished debut enriches the public imagination of this corner of America, and the communities within." —The New York Times A blazing and kaleidoscopic debut about a tight-knit community of Mexican and Filipino American families on the Texas coast from a voice you won't soon forget. Welcome to Galveston, Texas. Population 50,241. A popular tourist destination and major shipping port, Galveston attracts millions of visitors each year. Yet of those who come to drink by the beach, few stray from the boulevards to Fish Village, the neighborhood home to individuals who for generations have powered the island. Carly Castillo has only ever known Fish Village. Her grandmother claims that they descend from the Karankawas, an extinct indigenous Texan tribe, thereby tethering them to Galveston. But as Carly ages, she begins to imagine a life elsewhere, undefined by her family’s history. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave Galveston for bigger cities with more possibilities. But he didn’t take them then, and he sure as hell won’t now. When word spreads of a storm gathering strength offshore, building into Hurricane Ike, each Galveston resident must make a difficult decision: board up the windows and hunker down or flee inland and abandon their hard-won homes. Moving through these characters’ lives and those of the extraordinary individuals who circle them, Kimberly Garza's The Last Karankawas weaves together a multitude of voices to present a lyrical, emotionally charged portrait of everyday survival. The result is an unforgettable exploration of familial inheritance, human resilience, and the histories we assign to ourselves, reminding us that the deepest bonds are forged not by blood, but by fire.

In 1885, along the Gulf Coast of Texas, the once-numerous Karankawa Indians had all but disappeared. The story unfolds as an orphan Indian boy, Kola, finds that he is the last living member of his people. Kola is taken in by W. S. and Jane Deats and their family, after their son, Sparkman, finds him floating in a canoe in Dickinson Bay. The Deats family soon realizes that Kola is extremely smart and more than willing to do his part in becoming a member of their family. After W. S. Deats gives Kola a gray filly as his own to ride, for the daily ranch work that is expected of the boys, an unusual bond develops between horse and boy. Kola soon becomes one of the best cowboys on the open prairies of the Gulf Coast. His roping skills soon become legendary. Many of the white settlers still had memories of problems with the nomadic Karankawa tribes as they roamed along the coast line of Texas. The embellished tales of these conflicts, over the years, had been passed on to new arrivals in Galveston County. When the Deats family enrolled Kola in school, there was an outcry from many of the citizens of Dickinson. An Indian boy in the classroom with white children was unacceptable in their eyes. How WS and Jane handle the violence that erupts makes for an intriguing story.

In the late seventeenth century, General Alonso de León led five military expeditions from northern New Spain into what is now Texas in search of French intruders who had settled on lands claimed by the Spanish crown. Lola Orellano Norris has identified sixteen manuscript copies of de León’s meticulously kept expedition diaries. These documents hold major importance for early Texas scholarship. Some of these early manuscripts have been known to historians, but never before have all sixteen manuscripts been studied. In this interdisciplinary study, Norris transcribes, translates, and analyzes the diaries from two different perspectives. The historical analysis reveals that frequent misinterpretations of the Spanish source documents have led to substantial factual errors that have persisted in historical interpretation for more than a century. General Alonso de León’s Expeditions into Texas is the first presentation of these important early documents and provides new vistas on Spanish Texas.

“Swanson has done a crucial public service by exposing the barbarous side of the Rangers.” —The New York Times Book Review A twenty-first century reckoning with the legendary Texas Rangers that does justice to their heroic moments while also documenting atrocities, brutality, oppression, and corruption The Texas Rangers came to life in 1823, when Texas was still part of Mexico. Nearly 200 years later, the Rangers are still going--one of the most famous of all law enforcement agencies. In Cult of Glory, Doug J. Swanson has written a sweeping account of the Rangers that chronicles their epic, daring escapades while showing how the white and propertied power structures of Texas used them as enforcers, protectors and officially sanctioned killers. Cult of Glory begins with the Rangers' emergence as conquerors of the wild and violent Texas frontier. They fought the fierce Comanches, chased outlaws, and served in the U.S. Army during the Mexican War. As Texas developed, the Rangers were called upon to catch rustlers, tame oil boomtowns, and patrol the perilous Texas-Mexico border. In the 1930s they began their transformation into a professionally trained police force. Countless movies, television shows, and pulp novels have celebrated the Rangers as Wild West supermen. In many cases, they deserve their plaudits. But often the truth has been obliterated. Swanson demonstrates how the Rangers and their supporters have operated a propaganda machine that turned agency disasters and misdeeds into fables of triumph, transformed murderous rampages--including the killing of scores of Mexican civilians--into valorous feats, and elevated scoundrels to sainthood. Cult of Glory sets the record straight. Beginning with the Texas Indian wars, Cult of Glory embraces the great, majestic arc of Lone Star history. It tells of border battles, range disputes, gunslingers, massacres, slavery, political intrigue, race riots, labor strife, and the dangerous lure of celebrity. And it reveals how legends of the American West--the real and the false--are truly made.

From an acclaimed and award-winning young writer comes an intensely moving debut collection set in the eye of life’s storms. In Corpus Christi, Texas—a town often hit by hurricanes— parents, children, and lovers come together and fall apart, bonded and battered by memories of loss that they feel as acutely as physical pain. A car accident joins strangers linked by an intimate knowledge of madness. A teenage boy remembers his father’s act of sudden and self-righteous violence. A “hurricane party” reunites a couple whom tragedy parted. And, in an unforgettable three-story cycle, an illness sets in profound relief a man’s relationship with his mother and the odd, shifting fidelity of truth to love. Told in fresh, lyrical voices and taut, inventive styles, these narratives explore the complex volatility of love and intimacy, sorrow and renewal—and expose how often these experiences feel like the opposite of themselves. From the woman whose young son’s uncanny rapport with snakes illuminates her own missed opportunities to the man confronting his wife and her lover in a house full of illegal exotic birds, all the characters here face moments of profound decision and recognition in which no choice is clearly or completely right. Writing with tough humor, deep humanity, and a keen eye for the natural environment, Bret Anthony Johnston creates a world where where cataclysmic events cut people loose from their “regular lives, floating and spiraling away from where we had been the day before.” Corpus Christi is a extraordinarily ambitious debut. It marks the arrival of an important, exquisitely talented voice to American fiction.

This is the first major collection to remap the American West though the intersectional lens of gender and sexuality, especially in relation to race and Indigeneity. Organized through several interrelated key concepts, The Routledge Companion to Gender and the American West addresses gender and sexuality from and across diverse and divergent methodologies. Comprising 34 chapters by a team of international contributors, the Companion is divided into four parts: Genealogies Bodies Movements Lands The volume features leading and newer scholars whose essays connect interdisciplinary fields including Indigenous Studies, Latinx and Asian American Studies, Western American Studies, and Queer, Feminist, and Gender Studies. Through innovative methodologies and reclaimed archives of knowledge, contributors model fresh frameworks for thinking about relations of power and place, gender and genre, settler colonization and decolonial resistance. Even as they reckon with the ongoing gendered and racialized violence at the core of the American West, contributors forge new lexicons for imagining alternative Western futures. This pathbreaking collection will be invaluable to scholars and students studying the origins, myths, histories, and legacies of the American West. This is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Gender and Sexuality Studies, Literary Studies, Indigenous Studies, and Latinx Studies.