Called “brilliantly devastating” in a starred review from Kirkus Reviews, this award-winning, mesmerizing novel, based on the chilling true story of the last execution in Denmark’s history, asks a question that plagues a small Danish town: does a fifteen-year-old boy deserve to be put to death? On February 22, 1853, a fifteen-year-old Niels Nelson is prepared to be executed on Gallows Hill. The master carpenter comes to measure Niels for his coffin. The master baker bakes bread for the spectators. The messenger posts the notice of execution in the town square. The poet prepares his best pen to record the events as they unfold. A fly, Niels’s only companion in the cell, buzzes. A dog hovers by his young master’s window. A young girl hovers too, pitying the boy. The executioner sharpens his blade. This remarkable, wrenching story is told with the alternating perspectives of eleven different bystanders—one per hour—as the clock ticks ever closer to the moment when the boy must face his fate. Niels Nielson, a young peasant, was sentenced to death by beheading on the dubious charges of arson and murder. Does he have the right to live despite what he is accused of? That is the question the townsfolk ask as the countdown begins. With strong social conscience, piercing intellect, and masterful storytelling, Jesper Wung-Sung explores the age-old question: who determines who has the right to live or die?

Based on the true story of the last execution in Denmark's history, this novel asks a question that plagues a small Danish town in 1853: does a fifteen-year-old boy deserve to be put to death?

Called “brilliantly devastating” in a starred review from Kirkus Reviews, this award-winning, mesmerizing novel, based on the chilling true story of the last execution in Denmark’s history, asks a question that plagues a small Danish town: does a fifteen-year-old boy deserve to be put to death? On February 22, 1853, a fifteen-year-old Niels Nelson is prepared to be executed on Gallows Hill. The master carpenter comes to measure Niels for his coffin. The master baker bakes bread for the spectators. The messenger posts the notice of execution in the town square. The poet prepares his best pen to record the events as they unfold. A fly, Niels’s only companion in the cell, buzzes. A dog hovers by his young master’s window. A young girl hovers too, pitying the boy. The executioner sharpens his blade. This remarkable, wrenching story is told with the alternating perspectives of eleven different bystanders—one per hour—as the clock ticks ever closer to the moment when the boy must face his fate. Niels Nielson, a young peasant, was sentenced to death by beheading on the dubious charges of arson and murder. Does he have the right to live despite what he is accused of? That is the question the townsfolk ask as the countdown begins. With strong social conscience, piercing intellect, and masterful storytelling, Jesper Wung-Sung explores the age-old question: who determines who has the right to live or die?

The first historical study—and a riveting account—of the last execution in Michigan. On September 24, 1830, Stephen G. Simmons, a fifty-year-old tavern keeper and farmer, was hanged in Detroit for murdering his wife, Levana Simmons, in a drunken, jealous rage. Michigan executed only two people during the fifty-year period, from 1796 to 1846, when the death penalty was legal within its boundaries. Simmons was the second and last person to be executed under Michigan law. In A Hanging in DetroitDavid G. Chardavoyne vividly evokes not only the crime, trial, and execution of Simmons, but also the setting and players of the drama, social and legal customs of the times, and the controversy that arose because of the affair. Chardavoyne illuminates his account of this important moment in Michigan's history with many little-known facts, creating a study that is at once an engrossing story and the first historical examination of the event that helped bring about the abolition of the death penalty in Michigan. Simmons execution came at a time when Michigan had begun to change from a sparsely populated wilderness to a thriving agricultural center, and Detroit from a small military outpost to a metropolis founded on trade, manufacturing, and an influx of immigrants and other settlers. The hanging was a defining moment during this period of dramatic social change. Thousands of spectators crowded into Detroit expecting to see a thrilling public execution. Many of those spectators, however, left deeply disturbed by the spectacle they had witnessed. Chardavoyne, a lawyer, probes the unsettling incident which sparked a profound shift in attitudes toward capital punishment in Michigan, examining along the way such mysteries as why Simmons was hanged for his crime when other contemporary killers were hardly punished at all. A Hanging in Detroit will fascinate legal historians and lay readers alike with its incisive look into Great Lakes regional history and crime and punishment in Michigan.

The Last Day of a Condemned Man (1829) is a short novel by Victor Hugo. Having witnessed several executions by guillotine as a young man, Hugo devoted himself in his art and political life to opposing the death penalty in France. Praised by Dostoevsky as “absolutely the most real and truthful of everything that Hugo wrote,” The Last Day of a Condemned Man is a powerful story from an author who defined nineteenth century French literature. If you knew when and where you would die, how would you spend your final moments? For Hugo’s unnamed narrator, such an existential question is made reality. Sentenced to death for an unspecified crime, he reflects on his life as its last seconds wane in the shadows of a cramped prison cell. Recording his emotional state, observations, and conversations with a priest and fellow prisoner, the condemned man forces us to not only recognize his humanity, but question our own. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo’s The Last Day of a Condemned Man is a classic work of French literature reimagined for modern readers.

IN 12 YEARS, MICHELLE LYONS WITNESSED NEARLY 300 EXECUTIONS. First as a reporter and then as a spokesperson for the Texas Department of Criminal Justice, Michelle was a frequent visitor to Huntsville's Walls Unit, where she recorded and relayed the final moments of death row inmates' lives before they were put to death by the state. Michelle was in the death chamber as some of the United States' most notorious criminals, including serial killers, child murderers and rapists, spoke their last words on earth, while a cocktail of lethal drugs surged through their veins. Michelle supported the death penalty, before misgivings began to set in as the executions mounted. During her time in the prison system, and together with her dear friend and colleague, Larry Fitzgerald, she came to know and like some of the condemned men and women she saw die. She began to query the arbitrary nature of the death penalty and ask the question: do executions make victims of all of us? An incredibly powerful and unique look at the complex story of capital punishment, as told by those whose lives have been shaped by it, Death Row: The Final Minutes is an important take on crime and punishment at a fascinating point in America's political history.