Tells the story of Pu Yi, who became Emperor of China at age three, was made puppet emperor of Manchuria by the Japanese, was captured by the Russians, and was reeducated in Red Chinese prison

The true operatic tragedy of Maximilian and Carlota, the European aristocrats who stumbled into power in Mexico—and faced bloody consequences. In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian’s imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart. Maximilian was executed by a firing squad and Carlota, secluded in a Belgian castle, descended into madness. Assiduously researched and vividly told, The Last Emperor of Mexico is a dramatic story of European hubris, imperialist aspirations clashing with revolutionary fervor, and the Old World breaking from the New.

In this anthology, filmmakers, psychoanalysts, film scholars, and cultural historians use a psychoanalytic approach to examine Bernardo Bertolucci's epic film The Last Emperor (I988). Evolving out of a conference on Bertolucci's work, the essays interweave psychological, political, and cinematic themes in The Last Emperor as well as in much of Bertolucci's other works. This volume includes a foreword by Bernardo Bertolucci and is organized into four parts or "takes," including "Filmcraft," "Psychoanalysis," "Film Scholarship," and "Cultural History." Although we can never fully know the real Aisingioro Pu Yi, Bertolucci used his vision of the intricate relationship between art, ideology, and the psychic experience to tell the story of one ordinary man's extraordinary life. Bertolucci's The Last Emperor hopes to illuminate this complex and often enigmatic creation as well as renew an excitement about the possibilities of interdisciplinary criticism in film studies.

From Kwame Mbalia and Prince Joel David Makonnen comes an Afrofuturist adventure about a mythical Ethiopian empire. Sci-fi and fantasy combine in this epic journey to the stars. Yared Heywat lives an isolated life in Addis Prime -- a hardscrabble city with rundown tech, lots of rules, and not much to do. His worrywart Uncle Moti and bionic lioness Besa are his only family... and his only friends. Often in trouble for his thrill-seeking antics and wisecracking sense of humor, those same qualities make Yared a star player of the underground augmented reality game, The Hunt for Kaleb's Obelisk. But when a change in the game rules prompts Yared to log in with his real name, it triggers an attack that rocks the city. In the chaos, Uncle Moti disappears. Suddenly, all the stories Yared's uncle told him as a young boy are coming to life, of kingdoms in the sky and city-razing monsters. And somehow Yared is at the center of them. Together with Besa and the Ibis -- a game rival turned reluctant ally -- Yared must search for his uncle... and answers to his place in a forgotten, galaxy-spanning war.

“The stories here are the raw heart of Michael Moorcock. They are the spells that first drew me and all the numerous admirers of his work with whom I am acquainted into Moorcock’s luminous and captivating web.” –from the Foreword by Alan Moore, creator of V for Vendetta When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero–weak in body, subtle in mind, dependent on drugs for the vitality to sustain himself–with great crimes behind him and a greater destiny ahead: a rock-and-roll antihero who would channel all the violent excesses of the sixties into one enduring archetype. Now, with a major film in development, here is the first volume of a dazzling collection of stories containing the seminal appearances of Elric and lavishly illustrated by award-winning artist John Picacio–plus essays, letters, maps, and other material. Adventures include “The Dreaming City,” “While the Gods Laugh,” “Kings in Darkness,” “Dead God’s Homecoming,” “Black Sword’s Brothers,” and “Sad Giant’s Shield.” An indispensable addition to any fantasy collection, Elric: The Stealer of Souls is an unmatched introduction to a brilliant writer and his most famous–or infamous–creation. “The most significant UK author of sword and sorcery, a form he has both borrowed from and transformed.” –The Encyclopedia of Fantasy From the Trade Paperback edition.

The Last Emperor of Rome, a tale of love, betrayal, and turmoil, takes place during the final thirty-five years of the Western Roman Empire. It was a time of palace intrigue, assassinations, barbarian invasions, declining institutions, struggling political alliances, and a general breakdown of the imperial system of government which had ruled much of Europe and North Africa for the previous five hundred years. Before his entry onto the national stage, little is known about Emperor Julius Valerius Majorian, the major historical character of this novel. Therefore, the author invented much of the storyline, including the Emperor's early life, his family, and his career in the Imperial Legions. The story begins in 461 AD as Emperor Majorian is confined to a cell in a Roman prison and reflects upon his life. His thoughts take him from his childhood in Gaul to his career in the Roman Legions, his marriages and family, his dealings with men such as Count Flavius Ricimer, Master General Flavius Aetius and Senator Gaius Gallipolis, and ultimately onto his rise to political prominence in the waning Roman world. As Majorian sinks deeper into despair, he tries to make sense of the consequences of his actions. Come ride along with the Imperial Legions of Aetius and Ricimer as they battle the armies of the Huns, the Visigoths, and the Vandals. Attend a Roman wedding. Take part in conversations about immigration, slavery, Roman law, and the rise of Christianity. And witness the coronation of a Roman emperor. A well-conceived and imaginative novel of the late antiquity period, The Last Emperor of Rome delves into the political, religious, and military turmoil of this frantic time. Although it was the end of a way of life, the events portrayed in this novel opened the door to something new and powerful. The reverberations are still felt today.