“ I feel like Scott Ryan could have written this directly to me and others in our generation who have basically &‘ given up' on movies. It is at once tribute and eulogy, so bittersweet.” &– Screenwriter Helen Childress (Reality Bites)“ The nineties are lucky to have Scott Ryan.” &– Actress Natasha Gregson Wagner (Two Girls and a Guy, Lost Highway)Ah, the nineties. Movies were something in those days. We' re talking about a decade that began with GoodFellas and ended with Magnolia, with such films as Malcolm X, Before Sunrise, and Clueless arriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Letterman and Moonlighting: An Oral History, who here turns his attention to The Last Decade of Cinema— the prolific 1990s. Ryan, who watched just about every film released during the decade when he was a video store clerk in a small town in Ohio, identifies twenty-five unique and varied films from the decade, including Pretty Woman, Pulp Fiction, Menace II Society, and The Shawshank Redemption, focusing with his trademark humor and insight on what made them classics and why they could never be produced in today' s film culture. The book also includes interviews with writers, directors, and actors from the era. Go back to the time of VCR' s, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “ Hasta la vista, baby” to today' s meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan' s magnum opus, The Last Decade of Cinema.

Whatever your taste in movies, the filmmakers of the 1990s had it covered. On the one hand, the big studios took advantage of the ever increasing sophistication of computer generated imagery to produce spectacular, mega-budget 'event' movies like Titanic, The matirx and Mission: impossible. On the other hand, a new generation of independents like Tarantino and the Coen brothers was winning its spurs with low-tech and often low budget productions such as Reservoir dogs and The big Lebowski. Hollywood may have become besotted by all things digital, but print on paper, in the form of the poster, remained one of the most important means of promoting movies of all kinds, and the poster artists of the 90s proved they could still produce striking and alluring images. This book reproduces the pick of the decade.

The 1990s was an amazing decade for movies, witnessing the release of dozens of incredible films, including The Matrix, The Shawshank Redemption, Pulp Fiction, Goodfellas, Fargo, Jurassic Park, and so many more. Despite this embarrassment of riches, author Riley Webster believes this decade has never received as much praise or as many kudos as it deserves—until now. Whether you’re a serious cinephile, a casual viewer, or merely seeking a heavy dose of 1990s nostalgia, this is the book for you.

" I feel like Scott Ryan could have written this directly to me and others in our generation who have basically ' given up' on movies. It is at once tribute and eulogy, so bittersweet." - Screenwriter Helen Childress (Reality Bites) " The nineties are lucky to have Scott Ryan." - Actress Natasha Gregson Wagner (Two Girls and a Guy, Lost Highway) Ah, the nineties. Movies were something in those days. We're talking about a decade that began with GoodFellas and ended with Magnolia, with such films as Malcolm X, Before Sunrise, and Clueless arriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Letterman and Moonlighting: An Oral History, who here turns his attention to The Last Decade of Cinema-- the prolific 1990s. Ryan, who watched just about every film released during the decade when he was a video store clerk in a small town in Ohio, identifies twenty-five unique and varied films from the decade, including Pretty Woman, Pulp Fiction, Menace II Society, and The Shawshank Redemption, focusing with his trademark humor and insight on what made them classics and why they could never be produced in today's film culture. The book also includes interviews with writers, directors, and actors from the era. Go back to the time of VCR' s, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell " Hasta la vista, baby" to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

Steve Hutchison reviews 100 amazing weird horror films from the 1990s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?

Steve Hutchison reviews 100 amazing horror films from the 1990s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?

Steve Hutchison reviews 100 amazing horror films from the 1990s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?