"That whole summer is as clear and as still in my head as the corsage under the glass bell in Mrs. Tate's parlor. Even now, summers and summers since, I can remember everything. I remember the day summer started." So begins Lee Smith's disarming first novel, written while she was an undergraduate at Hollins College and a winner in 1968 of the Book-of-the-Month Club Writing Fellowship Contest. The Last Day the Dogbushes Bloomed, set in a small southern town at midcentury, tells the story of nine-year-old Susan, for whom the first bright, carefree, promise-filled days of summer slowly evolve into a time of innocence lost and childhood illusions shattered. Susan's mother is vain and frivolous, her father loving but distracted, and her sister, several years her senior, is coping with the first stirrings of serious love. Susan's circle of young friends is joined for the summer by Eugene, the frail, strange nephew of a neighbor. As the months pass, Susan witnesses the disintegration of her parents' marriage and learns from Eugene the cruelty people sometimes resort to. Lyrical and fanciful in spite of its dark moments, The Last Day the Dogbushes Bloomed puts on ample display the remarkable talent that has made Lee Smith one of our most popular writers of fiction.

Recounts the last summer of innocence for nine-year-old Susan, who witnesses the disintegration of her parent's marriage, and learns of people's cruelty from the visiting nephew of a neighbor.

A comprehensive treatment of the life and work of this award-winning feminist Appalachian writer Since the release of her first novel, The Last Day the Dogbushes Bloomed, in 1968, Lee Smith has published nearly twenty books, including novels, short stories, and memoirs. She has received an O. Henry Award, Sir Walter Raleigh Award, Robert Penn Warren Prize for Fiction, and a Reader's Digest Award; and her New York Times best-selling novel, The Last Girls, won the Southern Book Critics Circle Award. While Smith has garnered academic and critical respect for many of her novels, such as Black Mountain Breakdown, Oral History, and Fair and Tender Ladies, her writing has been viewed by some as lightweight fiction or even "chick lit." In Understanding Lee Smith Danielle N. Johnson offers a comprehensive analysis of Smith's work, including her memoir, Dimestore, treating her as a major Appalachian and feminist voice. Johnson begins with a biographical sketch of Smith's upbringing in Appalachia, her formal education, and her career. She explicates the themes and stylistic qualities that have come to characterize Smith's writing and outlines the criticism of Smith's work, particularly that which focuses on female subjectivity, artistry, religion, history, and place in her fiction. Too often, Johnson argues, Smith's consistent and powerful messages about artistry, gender roles, and historical discourse are missed or undervalued by readers and critics caught up in her quirky characters and dialogue. In Understanding Lee Smith, Johnson offers an analysis of Smith's oeuvre chronologically to study her growth as a writer and to highlight major events in her career and the influence they had on her work, including a major shift in the early 1990s to writing about families, communities, and women living in the mountains. Johnson reveals how Smith has refined her talent for creating nuanced voices and a narrative web of multiple perspectives and evolved into a writer of fine literary fiction worthy of critical study.

Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.

"That whole summer is as clear and as still in my head as the corsage under the glass bell in Mrs. Tate's parlor. Even now, summers and summers since, I can remember everything. I remember the day summer started." So begins Lee Smith's disarming first novel, written while she was an undergraduate at Hollins College and a winner in 1968 of the Book-of-the-Month Club Writing Fellowship Contest. The Last Day the Dogbushes Bloomed, set in a small southern town at midcentury, tells the story of nine-year-old Susan, for whom the first bright, carefree, promise-filled days of summer slowly evolve into a time of innocence lost and childhood illusions shattered. Susan's mother is vain and frivolous, her father loving but distracted, and her sister, several years her senior, is coping with the first stirrings of serious love. Susan's circle of young friends is joined for the summer by Eugene, the frail, strange nephew of a neighbor. As the months pass, Susan witnesses the disintegration of her parents' marriage and learns from Eugene the cruelty people sometimes resort to. Lyrical and fanciful in spite of its dark moments, The Last Day the Dogbushes Bloomed puts on ample display the remarkable talent that has made Lee Smith one of our most popular writers of fiction.

This literary companion surveys the works of Lee Smith, a Southern author lauded for her autobiographical familiarity with Appalachian settings and characters. Her dialogue captures the distinct voices of mountain people and their perceptions of local and world events, ranging from the Civil War to ecology and modernization. Mental and physical disability and the Southern cultural norm of including the disabled as both family and community members are recurring themes in Smith's writing. An A to Z arrangement of entries incorporates specific titles, and themes such as belonging, healing and death, humor, parenting and religion.