The Last Day of a Condemned Man (1829) is a short novel by Victor Hugo. Having witnessed several executions by guillotine as a young man, Hugo devoted himself in his art and political life to opposing the death penalty in France. Praised by Dostoevsky as “absolutely the most real and truthful of everything that Hugo wrote,” The Last Day of a Condemned Man is a powerful story from an author who defined nineteenth century French literature. If you knew when and where you would die, how would you spend your final moments? For Hugo’s unnamed narrator, such an existential question is made reality. Sentenced to death for an unspecified crime, he reflects on his life as its last seconds wane in the shadows of a cramped prison cell. Recording his emotional state, observations, and conversations with a priest and fellow prisoner, the condemned man forces us to not only recognize his humanity, but question our own. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo’s The Last Day of a Condemned Man is a classic work of French literature reimagined for modern readers.

An inspiring adventure of a man who, despite bearing witness to evil and carnage beyond comprehension, remains steadfast in his belief in the ultimate good side of humanity. Linder's moving autobiography is, in the author's words, "the story of a victor rather than a victim".

NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.

Self Condemned, originally published in 1954, tells the story of Professor Renarding and his wife, Essie, as they find themselves in Momaco, a fictionalized version of Toronto, following Ren resignation as an academic in London, England. Reduced to a position at the second-rate University of Momaco, Rennd Essie suffer through a bleak and oppressive isolation in a dreary and alien city. The novel, a devastating, disturbing satire of life in wartime Canada, explores the difficulty individuals face as they struggle to adapt to new surroundings while preserving their sense of wholeness, as well as the bond that develops between people during a shared experience of isolation. .

What does the most infamous criminal proceeding in history--the trial of Jesus of Nazareth--have to tell us about capital punishment in the United States? Jesus Christ was a prisoner on death row. If that statement surprises you, consider this fact: of all the roles that Jesus played--preacher, teacher, healer, mentor, friend--none features as prominently in the gospels as this one, a criminal indicted and convicted of a capital offense. Now consider another fact: the arrest, trial, and execution of Jesus bear remarkable similarities to the American criminal justice system, especially in capital cases. From the use of paid informants to the conflicting testimony of witnesses to the denial of clemency, the elements in the story of Jesus' trial mirror the most common components in capital cases today. Finally, consider a question: How might we see capital punishment in this country differently if we realized that the system used to condemn the Son of God to death so closely resembles the system we use in capital cases today? Should the experience of Jesus' trial, conviction, and execution give us pause as we take similar steps to place individuals on death row today? These are the questions posed by this surprising, challenging, and enlightening book

Moving away from the explicitly political content of his previous novels, Victor Hugo turns to social commentary in The Man Who Laughs, an 1869 work that was made into a popular film in the 1920s. The plot deals with a band of miscreants who deliberately deform children to make them more effective beggars, as well as the long-lasting emotional and social damage that this abhorrent practice inflicts upon its victims.

“The Enchanted wrapped its beautiful and terrible fingers around me from the first page and refused to let go after the last. A wondrous book that finds transcendence in the most unlikely of places. . . . So dark yet so exquisite.” — Erin Morgenstern, author of The Night Circus An astonishing and redemptive novel for readers of Alice Sebold and Toni Morrison, told from the point of view of a convict whose magical interpretations of prison life allow him to find absolute joy while isolated from the rest of humanity and a female investigator who experiences her own personal salvation in her work as a death penalty investigator. This is an enchanted place. Others don’t see it but I do. The enchanted place is a high security prison and is relayed through the eyes of an inmate on death row who escapes his surroundings by immersing himself in books, and by re-imagining the world that surrounds him. Instead of focusing on the cloudy medical vines that snake across the floor, empty and waiting for the warden’s finger to press the red buttons, our narrator sees golden horses as they run deep under the earth, heat flowing like molten metal from their backs. A woman and fallen priest haunt the prison halls--an unnamed female investigator only known as the Lady who is known for discovering information relating to soon-to-be executed inmates’ backgrounds that can be used to overturn their sentences. She is put on the case of a man named York and as she digs into his past, the experience brings up ghosts of her own and threatens to destroy everything that she has come to know about the enchanted place. The Enchanted is a magical novel about redemption, the humanity that can lie within what is monstrous, and the human capacity to transcend and survive.