"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.

Leroy Webb represents the vanishing era of the open-range cowboy. For six decades he has rounded up, roped, chased, wrestled, and cajoled cattle while riding over vast ranchlands and sleeping under the stars in New Mexico and Texas. Besides tackling the daily back-breaking chores of the cowboy, he has tirelessly worked to breed, train, and show horses while keeping up with the rodeo circuit. And despite frequent moves from ranch to ranch, his devotion to family has remained unquestioned. He may not have filled his pockets with the life he chose, but his heart is filled with riches.

'The West that Henry mourned belonged to the Western movie, where the land and the cattle went to their proper guardians and brought a fortune in respect and power. It was a West where the best cowboy got to shoot the meanest outlaw, woo the prettiest schoolteacher, bed her briefly to produce sons, and then ignore her for the finer company of other cowboys - a West as sentimental and as brutal as the people who made a virtue of that curious combination of qualities and called it the American experience. ' From the Introduction Henry Blanton is the 'last cowboy' of Jane Kramer's classic portrait, the failed hero of his own mythology, the man who ends an era for himself. His story - his flawed, funny, and in the end tragic efforts to be a proper cowboy, 'expressin' right' in a world where the range is a feed yard and college boys run ranches from air-conditioned Buicks -is the story of a country coming of age in great promise and greater disappointment. A hundred and fifty miles up the highway from agri-business Amarillo, Henry claimed the extravagant prerogatives of a free man on a horse. He rode his own frontier, decked out in his vigilance and his honour, until the shocking moment when in the person of Henry Blanton the West and the Western had a showdown.

The memoir of one of the most decorated members of the DEA. Sellers saw action as a street cop in Texas and finally as an undercover agent hunting the terror cell that killed five Afghan CIA counterparts.

In the world of Western films, Randolph Scott, Joel McCrea, and Audie Murphy have frequently been overlooked in favor of names like Roy Rogers and John Wayne. Yet these three actors played a crucial role in the changing environment of the post-World War II Western, and, in the process, made many excellent middle-budget films that are still a pleasure to watch. This account of these three Western stars' careers begins in 1946, when Scott and McCrea committed themselves to the Western roles they would play for nearly twenty years. Murphy, who also joined them in 1946, would continue his Western career for a few years after his cohorts rode into the film sunset. Arranged chronologically, and balanced among the three actors, the text concludes with Audie Murphy's last Western in 1967. Covering both the personal and professional lives of these three Hollywood cowboys, the book provides both their stories and the story of a Hollywood whose attitude toward the Western was in a time of transition and transformation. The text is complemented by 60 photographs and a filmography for each of the three.

The Brave Cowboy Jack Burnes is a loner at odds with modern civilization. A man out of time, he rides a feisty chestnut mare across the New West -- a once beautiful land smothered beneanth airstrips and superhighways. And he lives by a personal code of ethics that sets him on a collision course with the keepers of law and order. Now he has stepped over the line by breaking one too many of society's rulus. The hounds of justice are hot in his trail. But Burnes would rather die than spend even a single night behind bars. And they have to catch him first.

Two rodeo stars get a second chance at high school love when they meet again on a California ranch in a romance by the New York Times bestselling author. Ry Morgan has always had a thing for Avery Hayes—one more hope his twin wrecked for him, kissing her at the high school prom while pretending to be Ry. Eight years later, Ry has had enough: he’s quitting the pro rodeo circuit, moving home to California to mend fences, and letting his brother clean up his own messes for a change. Reclaiming Avery’s stolen kiss is at the top of his agenda. But Avery isn’t the girl she used to be. At the height of her rodeo career, a bad fall left Avery lucky to be alive, let alone walking. Between surgeries and fighting off everybody’s pity, she hasn’t been on a horse since. Ry is strong, confident, and sexy as hell—exactly what she thought she wanted at seventeen. Now, she’ll have to protect the safe space she’s made for herself—or risk it all for a dream she thought would never come again. “If you love cowboys—and who doesn’t—you’ll love the Morgans!” --Cora Seton, New York Times bestselling author on The Reluctant Cowboy