'Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future.' Rincewind, inept wizard and reluctant hero, has found himself magically stranded on the Discworld's last continent. It's hot. It's dry. There was this thing once called The Wet, which no one believes in any more. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right? And in a few days, it will die. The only thing standing between the last continent and wind-blown doom is Rincewind, and he can't even spell wizard. Still . . . no worries, eh? 'A minor masterpiece. I laughed so much I fell from my armchair' Time Out 'A master storyteller' A. S. Byatt The Last Continent is the sixth book in the Wizards series, but you can read the Discworld novels in any order.

"It is only at the end of the world--among the glacial mountains, cleaving icebergs, and frigid waters of Antarctica--where Deb Gardner and Keller Sullivan feel at home. For the few blissful weeks they spend each year studying the habits of emperor and Adaelie penguins, Deb and Keller can escape the frustrations and sorrows of their separate lives and find solace in their work and in each other. But Antarctica, like their fleeting romance, is tenuous, imperiled by the world to the north"--Dust jacket flap.

Photographs and text profile the geography, wildlife, and landscapes of Antarctica.

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.

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Pratchett's perceptive and laugh-out-loud Discworld series is back, as one aging hero with a grudge decides enough is enough. Beautifully illustrated throughout by Paul Kidby. 'An enduring, endearing presence in comic literature' Guardian It stars the legendary Cohen the Barbarian, a legend in his own lifetime. Cohen can remember when a hero didn't have to worry about fences and lawyers and civilisation, and when people didn't tell you off for killing dragons. But he can't always remember, these days, where he put his teeth... So now, with his ancient sword and his new walking stick and his old friends - and they're very old friends - Cohen the Barbarian is going on one final quest. He's going to climb the highest mountain in the Discworld and meet his gods. The last hero in the world is going to return what the first hero stole. With a vengeance. That'll mean the end of the world, if no one stops him in time. Readers love The Last Hero: 'A wonderful addition to the series that made me chuckle almost non-stop and even burst out laughing loudly in public places' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'It wonderfully caps Rincewind's series of adventures, neatly and directly tying up his Disc-spanning journey that began in the foundational The Colour of Magic and The Light Fantastic' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'The late great Sir Terry's Conan tribute to Robert E Howard what happens to super men when they get old & there teeth fall out this old man Steptoe with muscles. But the extra special illustrations that give this book that WOW!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'I read the last few pages weeping while grinning like a loon. When Sir Terry's words tickle me in all the correct places, bring on the cliche laugh and cry' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ '[Pratchett] managed to perfectly blend a carefully crafted plot, with humour, steampunk gadgets, and of course the librarian. Pratchett really was the comic fantasy master' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Pratchett's witty humour finds its perfect target - a group of aging heroes, a Dark Lord, and a group of misfit heroes trying to stop them from ending the world' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

The true story of an adventurer-turned-warrior fighting poachers and traffickers to protect animals from extinction. Staging heart-pounding, espionage-style raids, Ofir Drori and his organization, The Last Great Ape (LAGA), have put countless poachers and traffickers of endangered species behind bars, and they have fought back against a Kafkaesque culture of corruption. Before Ofir arrived in Cameroon, no one had ever even tried. The Last Great Ape follows a young Ofir on fantastical adventures as he crosses remote African lands by camel, on a horse, and in dug-out canoes, while living with exotic tribes and struggling against nature at its rawest: charging elephants and hyenas, flash floods, and the need to eat river algae and snails to stay alive. The story moves from places of extreme beauty to those of the darkest horror: the war zones of Sierra Leone and Liberia. Ofir begins to work as a photojournalist in order to expose his shocking encounter with war victims and child soldiers. His experiences forge in him a resolution to become an activist and to fight for justice. The search for a cause eventually leads him to Cameroon. When Ofir discovers that no one is fighting to disprove Jane Goodall's dark prophesy that apes in the wild will be extinct in twenty years, he decides that he is the man to step in; because he knows he can make a difference, he sees it as his responsibility. And LAGA is born. The Last Great Ape is a story of the fight against extinction and the tragedy of endangered worlds, not just of animals but of people struggling to hold onto their culture. This book reveals the intense beauty and strife that exist side by side in Africa, and Ofir makes the case that activism and dedication to a cause are still relevant in a cynical modern world. This dangerous and dramatic story is one of courage and hope and, most importantly, a search for meaning.