font size="+1"'Astoundingly good. Brave, wickedly funny and profoundly affecting. Wow!' Miranda Dickinson/font size font size="+1"'An emotional punch-packer of a book. Be prepared for it to swallow you whole' Milly Johnson/font size font size="+1"'A big-hearted, funny, hugely emotional and uplifting novel - I loved it!' Rachael Lucas/font size font size="+1"'Such a beautifully written book with characters that will linger in your head and heart' Sarah J Naughton/font size **** You don't need talent to join this group of actors. The ability to remember lines or stay awake throughout a performance is appreciated, but not essential. The only mandatory is a terminal diagnosis. But Adam Campbell is less than enthusiastic about this eccentric form of group therapy. He has under one year to live, and a heck of lot to get done. Like explaining mortality to his six-year-old daughter. And making amends with the woman who should have been his wife. The last thing Adam needs is a part in an amateur production of 'Shakespeare's Greatest Deaths'. But help and hope can be found where we least expect them. And perhaps camaraderie, and a shared purpose, will turn out to be the best medicine after all. As Shakespeare, didn't quite put it: Shuffling off this mortal coil is a drag; but it's no reason to stop living. The Cancer Ladies' Running Club meets The One Hundred Years of Lenni and Margot, The Last Act of Adam Campbell is a warm, poignant and wise tale about love, friendship, and making the most of every minute of life that we're granted.

'Astoundingly good. Brave, wickedly funny and profoundly affecting. Wow!' Miranda Dickinson 'An emotional punch-packer of a book. Be prepared for it to swallow you whole' Milly Johnson 'A big-hearted, funny, hugely emotional and uplifting novel - I loved it!' Rachael Lucas 'Such a beautifully written book with characters that will linger in your head and heart' Sarah J Naughton **** You don't need talent to join this group of actors. The ability to remember lines or stay awake throughout a performance is appreciated, but not essential. The only mandatory is a terminal diagnosis. But Adam Campbell is less than enthusiastic about this eccentric form of group therapy. He has under one year to live, and a heck of lot to get done. Like explaining mortality to his six-year-old daughter. And making amends with the woman who should have been his wife. The last thing Adam needs is a part in an amateur production of 'Shakespeare's Greatest Deaths'. But help and hope can be found where we least expect them. And perhaps camaraderie, and a shared purpose, will turn out to be the best medicine after all. As Shakespeare, didn't quite put it: Shuffling off this mortal coil is a drag; but it's no reason to stop living. The Cancer Ladies' Running Club meets The One Hundred Years of Lenni and Margot, The Last Act of Adam Campbell is a warm, poignant and wise tale about love, friendship, and making the most of every minute of life that we're granted.

Last Days (winner of the British Fantasy Award for Best Horror Novel of the Year) by Adam Nevill is a Blair Witch style novel in which a documentary film-maker undertakes the investigation of a dangerous cult—with creepy consequences. When guerrilla documentary maker, Kyle Freeman, is asked to shoot a film on the notorious cult known as the Temple of the Last Days, it appears his prayers have been answered. The cult became a worldwide phenomenon in 1975 when there was a massacre including the death of its infamous leader, Sister Katherine. Kyle's brief is to explore the paranormal myths surrounding an organization that became a testament to paranoia, murderous rage, and occult rituals. The shoot's locations take him to the cult's first temple in London, an abandoned farm in France, and a derelict copper mine in the Arizonan desert where The Temple of the Last Days met its bloody end. But when he interviews those involved in the case, those who haven't broken silence in decades, a series of uncanny events plague the shoots. Troubling out-of-body experiences, nocturnal visitations, the sudden demise of their interviewees and the discovery of ghastly artifacts in their room make Kyle question what exactly it is the cult managed to awaken – and what is its interest in him?

Go deep into SEAL Team SIX, straight to the heart of one of its most legendary operators. When Navy SEAL Adam Brown woke up on March 17, 2010, he didn’t know he would die that night in the Hindu Kush Mountains of Afghanistan—but he was ready. In a letter to his children, not meant to be seen unless the worst happened, he wrote, “I’m not afraid of anything that might happen to me on this earth, because I know no matter what, nothing can take my spirit from me.” Fearless is the story of a man of extremes, whose courage and determination were fueled by faith, family, and the love of a woman. It’s about a man who waged a war against his own worst impulses, including drug addiction, and persevered to reach the top tier of the U.S. military. In a deeply personal and absorbing chronicle, Fearless reveals a glimpse inside the SEAL Team SIX brotherhood, and presents an indelible portrait of a highly trained warrior whose final act of bravery led to the ultimate sacrifice. Adam Brown was a devoted man who was an unlikely hero but a true warrior, described by all who knew him as…fearless. “As a rule, we don’t endorse books or movies or anything regarding the command where I work—and Adam Brown worked—but as the author writes in Fearless, ‘you have to know the rules, so you know when to bend or break them.’ This is one of those times. Read this book. Period. It succeeds where all the others have failed.” —SEAL Team SIX Operator

THE EMPIRE STATE IS THE OTHER NEW YORK. A parallel-universe, Prohibition-era world of mooks and shamuses that is the twisted magic mirror to our bustling Big Apple, a place where sinister characters lurk around every corner while the great superheroes that once kept the streets safe have fallen into dysfunctional rivalries and feuds. Not that its colourful residents know anything about the real New York… until detective Rad Bradley makes a discovery that will change the lives of all its inhabitants. Playing on the classic Gotham conventions of the Batman comics and HBO’s Boardwalk Empire, debut author Adam Christopher has spun this smart and fast-paced superhero-noir adventure, the sort of souped-up thrill ride that will excite genre fans and general readers alike. File Under: Science Fiction [ Pocket Universe | Heroes or Villains | Speak Easy | Loyalties Divided ] e-book ISBN: 978-0-85766-194-4

Some doors are better left closed . . . In Barrington House, an upmarket block in London, there is an empty apartment. No one goes in, no one comes out. And it has been that way for fifty years. Until the night watchman hears a disturbance after midnight and investigates. What he experiences is enough to change his life forever. A young American woman, Apryl, arrives at Barrington House. She's been left an apartment by her mysterious Great Aunt Lillian who died in strange circumstances. Rumours claim Lillian was mad. But her diary suggests she was implicated in a horrific and inexplicable event decades ago. Determined to learn something of this eccentric woman, Apryl begins to unravel the hidden story of Barrington House. She discovers that a transforming, evil force still inhabits the building. And the doorway to Apartment 16 is a gateway to something altogether more terrifying . . . Apartment 16 is another gripping novel full of suspense and horror from Adam Nevill, twice winner of the August Derleth award.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.